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newsshooter.com /1 month ago

ARRI live webinar– Exploring ARRICORE: A Visually Lossless RGB Codec

ARRI is having a free live webinar called Exploring ARRICORE: A Visually Lossless RGB Codec that will be hosted by commercial DP Charles Bergquist, along with Picture Shop’s Superv...

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redsharknews.com /1 week ago

ARRI Film Lab 1.5: new formats, ACES 2.0, price

ARRI Film Lab 1.5 adds 8mm, 16mm, and 65mm looks, anamorphic grain, and ACES 2.0 support.

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petapixel.com /1 week ago

Arri Film Lab 1.5 Aims To Emulate Even More Analog Cinema Formats

Nearly a year ago, Arri, one of the biggest names in cinema, launched Film Lab. It's an OpenFX plugin for industry-standard video editing and color grading workflows that promises...

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geeky-gadgets.com /3 weeks ago

Reframe Footage Post-Flight with the DJI Avata 360 Camera

The DJI Avata 360 has quickly gained attention for its unique combination of advanced features and accessibility, making it a standout in the drone market. As highlighted by Kola,...

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redsharknews.com /1 month ago

Frame.io Drive and 3D asset support at IBC2026

Frame.io's JJ Powell demonstrates Drive's mounted cloud storage, automatic version history, and a new 3D asset viewer live from the IBC2026 show floor.

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nofilmschool.com /1 week ago

ARRI’s Film Lab Adds 8mm, 16mm, and 65mm Film Looks With This Major Update

While not a full step update (as in a version 1 to a version 2), this 1.5 version update for ARRI Film Lab is quite significant nonetheless.This major update to ARRI’s popular lice...

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cined.com /1 week ago

ARRI Film Lab 1.5 Released – 8mm to 65mm Film Formats, Anamorphic Grain and Halation, ACES 2.0 Support

ARRI has released Film Lab 1.5, a major update to its OpenFX plugin that brings the look of analog film to digital images. The new version adds 8mm, 16mm and 65mm film formats, ana...

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