Social Media Ideas for Arri

ARRI brings SMPTE ST 2110 support to ALEXA 35 Live with LPS-1 SUP 1.5.0

ARRI is bringing SMPTE ST 2110 support for the ALEXA 35 Live Multicam System. This opens the system up to fully IP-based broadcast studios, stadiums, high-end flypacks, and remote...

Cinelux Reduxa A1 Focal Reducer for the ARRI Alexa Classic, Alexa XT & Alexa SXT

The Cinelux Reduxa A1 is the first focal reducer system for the ARRI Alexa Classic, XT and SXT. I previously featured it on the site, when it was still very much in the prototype s...

ARRI Rental Transition Update

As ARRI Rental transitions to an independent business, its CEO, Dana Harrison, and President of North America, Andy Shipsides, have addressed what this means for its customers and...

ARRI Hi-5/Hi-5 SX SUP 3.6.6

ARRI has released Software Update Package (SUP) 3.6.6 for the Hi-5 and Hi-5 SX. New features include focus marks now being able to be handled by ALEXA 35 cameras and the ALEXA 265,...

ARRI live webinar– Exploring ARRICORE: A Visually Lossless RGB Codec

ARRI is having a free live webinar called Exploring ARRICORE: A Visually Lossless RGB Codec that will be hosted by commercial DP Charles Bergquist, along with Picture Shop’s Superv...

ARRI Film Lab 1.5: new formats, ACES 2.0, price

ARRI Film Lab 1.5 adds 8mm, 16mm, and 65mm looks, anamorphic grain, and ACES 2.0 support.

Arri Film Lab 1.5 Aims To Emulate Even More Analog Cinema Formats

Nearly a year ago, Arri, one of the biggest names in cinema, launched Film Lab. It's an OpenFX plugin for industry-standard video editing and color grading workflows that promises...

ARRI’s Latest Update to Bring Full Focusbug Cine RT Integration to its 35mm and 65mm ALEXA Cameras

Big news for high-end filmmakers and cinematographers as ARRI has unveiled a notable new Software Update Package (SUP) that adds new features and capabilities to its full range of...

ARRI’s Live Production Monitor Gets Some New Power Management Safeguards and Improvements

Alongside notable updates to its ALEXA 35mm and 65mm camera range, ARRI has announced an important Software Update Package (SUP) for its Live Production Monitor.The ARRI LPM-1 is g...

ARRI ALEXA 35 Xtreme Warranty Promotion

For a limited time, ARRI Australia is offering an extended warranty on new ALEXA 35 Xtreme Base and Premium camera packages. With this promotion, purchases now include 4 years of w...

CINELUX REDUXA A1 Kickstarter Dates and Pricing Announced – 0.71x Focal Reducer for ALEXA Classic, XT and SXT

Back in July, CINELUX teased the REDUXA A1, a focal reducer that lets older ARRI ALEXA cameras shoot with full-frame lenses. Now the British company has put dates and prices on it....

ARRI Film Lab 1.5 Released – 8mm to 65mm Film Formats, Anamorphic Grain and Halation, ACES 2.0 Support

ARRI has released Film Lab 1.5, a major update to its OpenFX plugin that brings the look of analog film to digital images. The new version adds 8mm, 16mm and 65mm film formats, ana...

Lighting a Half-Mile Highway at Night– ARRI ALEXA 35 ES Mode & SkyPanel X

Cinematographer Ralph Kaechele recently used the ARRI ALEXA 35 and SkyPanel X fixtures to shoot the German-Austrian miniseries “Hundertdreizehn” (“One Hundred and Thirteen”) for AR...

ARRI’s Film Lab Adds 8mm, 16mm, and 65mm Film Looks With This Major Update

While not a full step update (as in a version 1 to a version 2), this 1.5 version update for ARRI Film Lab is quite significant nonetheless.This major update to ARRI’s popular lice...

2026 Engineering Emmy Winners: Adobe, Avid, ARRI

The Television Academy and NATAS have named the winners of the 2026 Engineering, Science & Technology Emmys, including Adobe, Avid and ARRI.

ARRI ALEXA 35 cameras & ALEXA 265 SUP 6.2.0

ARRI has released Software Update Package SUP 6.2.0 for the ALEXA 35, ALEXA 35 Xtreme, ALEXA 35 Live, ALEXA 35 Live Xtreme, and ALEXA 265. The main features of this release are the...

ARRI & HONOR announce the co-branded HONOR Magic9 Pro Max

ARRI and HONOR have announced the co-branded HONOR Magic9 Pro Max, which marks their second collaboration after the Robot Phone. The HONOR Magic9 Pro Max is part of the company’s f...

Arjo AB (publ) (ARRJF) Analyst/Investor Day - Slideshow

Vadzo Imaging Positions Innova-521CRS: Onsemi AR0521 5MP Color Rolling Shutter GigE Camera for Continuous Day and Night...

The Innova-521CRS is a 5MP Color Rolling Shutter GigE Camera built on the Onsemi AR0521 sensor, and Vadzo is positioning it for continuous day and night video monitoring. Monitorin...

EXT Introduces ARIA V2 and ARIA V2 DH

Suspension news from Italy, coming in hot!

ARRI ALEXA 35 and ALEXA 265 SUP 6.2.0 Released – Full Focusbug Cine RT Integration, Shared Focus Marks, Depth of Field R...

ARRI has released Software Update Package 6.2.0 for the ALEXA 35, ALEXA 35 Xtreme, ALEXA 35 Live and ALEXA 265. The update connects the Focusbug Cine RT rangefinder directly to the...

ARRI and HONOR Officially Unveil Their New Co-Branded Magic9 Pro Max Phone

We’ll be honest, the ARRI x HONOR Robot Phone has been one of the more odd—yet intriguing—storylines to follow this year. It’s nice to see a new product not be all about AI, so tha...

ILLUVISION MAGNA 65-350mm T3.6 – Rehoused ARRI/FUJINON Alura Zoom for Full-Frame Sensors

ILLUVISION has recently introduced the MAGNA 65-350mm T3.6, which is essentially a repurposed ARRI/FUJINON Alura 45-250mm T2.6 Studio Zoom with a built-in optical expander that upg...