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Avid and FilmLight are bringing Baselight-powered color natively into Media Composer, deepening a partnership that dates back to 2012 for a more connected edit-to-grade pipeline.
Filmverse Arsenal is Colorist Foundry’s signature end-to-end pipeline for high-end production. It features extensive negative and print stock libraries, custom DRT capabilities, an...
Antilatency has launched FullBandRGB, a studio light designed specifically for virtual production. The fixture combines a seven-LED spectral architecture with precise linear contro...
HAL Picture is turning its two look development plugins into a family. At IBC 2026, we spoke to co-founder Olivier Patron and engineer Antoine about Dia Squared, a single plugin th...
Flanders Scientific has put GaiaColor Analyzer into beta firmware for DM Series monitors. Pomfort Livegrade 7.2 also adds independent four-camera LUT control to XMP monitors.
ARRI Film Lab 1.5 adds 8mm, 16mm, and 65mm looks, anamorphic grain, and ACES 2.0 support.
The KOLAR BASIS Version 2.0 color grading plugin for Final Cut Pro provides a major update featuring a custom UI built from the ground up that replaces standard Final Cut Pro slide...
ARRI has released Film Lab 1.5, a major update to its OpenFX plugin that brings the look of analog film to digital images. The new version adds 8mm, 16mm and 65mm film formats, ana...
Flat window light or a harsh shadow across a face used to mean a reshoot or an evening of dodging and burning. Photoshop's new Relight feature, currently in the beta, lets you repo...
Your render looks flat because it is lit too evenly. Light It Up fixes that in one click, and then lets you take the result apart. It builds a real lighting rig around your object:...
Nearly a year ago, Arri, one of the biggest names in cinema, launched Film Lab. It's an OpenFX plugin for industry-standard video editing and color grading workflows that promises...
Light It Up is a free and open source lighting add-on. It’s on the Blender Extensions platform, so it installs by drag and drop. Rasheed Shaikh writes: It builds studio lighting ri...
Adobe quietly slipped a Light adjustment layer into the main Photoshop interface, and it looks almost identical to the tone and exposure controls you already know from Lightroom an...
Exposimeter, a Virtual Light Meter App, has been updated to Version 2. If you are not familiar with the app, it works like a virtual light meter, and it was made by cinematographer...
CineDream, the point-and-click color grading tool from Color Finale creator Denver Riddle, is now available as native plug-ins for Adobe Premiere Pro, After Effects, Final Cut Pro,...
If you’re in the market for an advanced light-metering app, this could be the one. Created by Bill Manning of Studio C-41 & Atlanta Film Co, PocketMeter Pro comes with several...
Photoshop's Brightness/Contrast slider is gone, replaced by a new Light adjustment layer that pulls Camera Raw controls straight into the main editor. Exposure, contrast, highlight...
Photoshop's new Relight feature lets you move the light falling on a subject after the shot is already taken, a job that used to mean hours of dodging, burning, and hand-painted hi...
While not a full step update (as in a version 1 to a version 2), this 1.5 version update for ARRI Film Lab is quite significant nonetheless.This major update to ARRI’s popular lice...
Adobe's Jason Druss demos Premiere Beta's IBC 2026 update: three new Color Mode modules, one-click Auto Color, HSL masks and a Tangent Wave 2 partnership.
The face- and body-replacement technology Rising Sun Pictures began building in 2018, and has since used on 30+ films including 'Sinners' and 'Mickey 17,' now serves FOLKS, El Ranc...
Lighting can be beautiful, but it often comes down to a formula that you can copy yourself in your own cinematography. Lighting tutorials love a formula. Key here, fill there, neg...
A dark, high-ISO frame with a heavy blue color cast doesn't look like much on the back of the camera. With the right sequence of adjustments, that same file can carry a warm beam o...
Being in the dark is scary, especially when you're alone. Even better if you're in an unfamiliar space and you hear a rustle in the night. Your imagination fills in the details of...
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