Latest updates for Large Format Cinematography

Fresh curated links around Large Format Cinematography are collected here so marketers can spot useful updates and turn timely ideas into posts faster.

Recent items include:

  • ZEISS Goes Large Format With New Ten-Lens Set of Pantopte 65 Cinema Primes
  • Take Full Advantage of Your Camera’s 65 Sensors With These New Large-Format Zooms
  • Sony Set to Bring the 65mm Format to the VENICE 2 With New RIALTO 65

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nofilmschool.com /1 month ago

ZEISS Goes Large Format With New Ten-Lens Set of Pantopte 65 Cinema Primes

Big, BIG news today for large-format filmmakers: ZEISS has dropped a new set of cinema prime lenses. This new ten-lens set of large-format cinema primes will range from 25mm to 180...

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nofilmschool.com /4 weeks ago

Take Full Advantage of Your Camera’s 65 Sensors With These New Large-Format Zooms

The large-format movement is now in full force, with more options available at more affordable prices than ever before. From the Fujifilm GFX ETERNA 55 to the ARRI ALEXA 265 to the...

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nofilmschool.com /1 month ago

Sony Set to Bring the 65mm Format to the VENICE 2 With New RIALTO 65

It’s really been a big week (pun intended) for large-format filmmaking. On top of the news of some new Panavision Primo 65 Motion Picture Lenses, we also have a pretty major announ...

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petapixel.com /1 week ago

IMAX Reveals New Large-Format Film Camera That Filmed ‘The Odyssey’ and Boasts LCD Screen

Much has been written about The Odyssey ; the first film in history to be shot entirely on the ultra-large-format IMAX system. However, it was only possible after IMAX released a n...

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cined.com /1 month ago

ZEISS Panoptes 65 Unveiled – Ten Large-Format Primes at T2.2 with LPL Mount and 59.9mm Image Circle

ZEISS is making its definitive push into 65mm cinematography with the Panoptes 65, a set of ten primes engineered specifically for large-format cameras such as the ARRI ALEXA 265,...

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nofilmschool.com /1 month ago

Panavision’s Famous Primo Spherical Optics Are Being Resurrected for the 65mm Format

If you’re looking for some sleek and sexy new lenses for your large format cinematography, then we have good news for you. Panavision has unveiled its new Primo 65 lens series. Des...

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redsharknews.com /1 month ago

ZEISS Panoptes 65 large-format cinema primes

ZEISS will be showing its ten-focal-length Panoptes 65 large-format prime set at Cine Gear Expo LA next week and has released new details on what looks to be some very classy glass...

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cined.com /1 month ago

Sony RIALTO 65 in Development – 65mm Sensor Block for the VENICE 2, Remote Operation, Multiple Recording Modes

Sony has revealed the development of RIALTO 65, a new 65mm format-capable image sensor block that turns existing VENICE 2 camera bodies into a large-format digital cinema platform....

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dpreview.com /1 month ago

Could Sony's massive new sensor sway even Christopher Nolan?

The Rialto 65 sensor block will mount on Sony's Venice 2 camera, which currently offers modules based around 50MP and 24MP full-frame fully-stacked sensors. Image: Sony Sony ha...

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petapixel.com /21 hours ago

This is What It’s Like Projecting Gigantic 70mm IMAX Film for ‘The Odyssey’

Watching The Odyssey in Christopher Nolan's preferred 70mm format is not accessible for everyone -- there are only 41 theaters in the entire world that will show the large-format f...

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petapixel.com /1 month ago

Sony Is Making a Massive Cinema Camera Image Sensor

Sony has announced the development of the Rialto 65, a new 65mm-format image sensor block designed to expand the capabilities of its Venice 2 cinema camera platform. Scheduled for...

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redsharknews.com /1 month ago

The Odyssey: IMAX 70mm, Dolby, PLF formats explained

Christopher Nolan's The Odyssey is the first feature ever shot entirely on IMAX Film Cameras, releasing in six formats on July 17. Here's what each one actually means and and wheth...

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petapixel.com /1 month ago

Watch the Glorious Way Christopher Nolan Cuts Scenes in ‘The Odyssey’ Using Literal Scissors

The Odyssey is the first-ever movie to be shot entirely on IMAX 70mm film. The format is so large that it can only be shot continuously for roughly two and a half minutes, as that...

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cined.com /1 month ago

Angénieux EZ 65 Series Announced – Two Large-Format Zooms, 60mm Image Circle, LPL Mount

Angénieux is taking its modular EZ zoom philosophy into the 65 format. The new EZ 65 Series consists of two LPL-mount large-format zooms, the EZ-2 65 (27-72mm T3.6) and the EZ-3 65...

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the-independent.com /1 day ago

IMAX, 70mm or Dolby? Christopher Nolan breaks down his favorite movie formats ahead of The Odyssey premiere

Christopher Nolan has fulfilled his dream of shooting a feature film entirely on IMAX film with The Odyssey

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nofilmschool.com /1 month ago

That Sexy New IMAX Camera Used to Shoot ‘The Odyssey’ is Now On Public Display

No, you can grab it to try it out. And we don’t recommend trying to steal it to shoot your short film this weekend at that cabin in the woods. However, if you’re a fan of Christoph...

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newatlas.com /1 month ago

Hybrid cine camera simultaneously shoots 16mm film and HD video

Analog filmmakers struggling with aging and hard-to-repair 16mm film cameras can now eagerly anticipate the release of the Cinelux Sixteen, a hybrid 16mm and HD digital camera...

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nofilmschool.com /6 days ago

Fujifilm Adds Its Widest Cinema Power Zoom to Its GF Lens Lineup Yet

Fujifilm has announced that it is adding the second cinema power zoom lens to its GF lineup with the new FUJINON GF19-35mmT3.5 PZ OIS WR. This lens is set to be the widest-angle le...

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cgomovies.com /1 month ago

Cinerama: The Cinema Revolution That Made Television Look Small

By 1952, Hollywood was no longer simply competing with other studios. It was competing with the living room. Television had become the new domestic miracle: free entertainment, glo...

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petapixel.com /1 month ago

Zeiss Unveils Cine Lenses Built for the GFX Eterna 55, Ursa Cine 17K, and Alexa 265

Zeiss has been very busy in the cinema lens segment ahead of the Cine Gear Expo in Los Angeles this weekend. Alongside new Horizon 2x Anamorphic lenses for full-frame cameras, Zeis...

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petapixel.com /1 month ago

The IMAX Camera That Shot Christopher Nolan’s ‘The Odyssey’ Has Gone on Public Display

The camera used to shoot Christopher Nolan's upcoming epic The Odyssey -- the first movie ever to be shot entirely on IMAX cameras -- has gone on public display in Los Angeles. [Re...

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petapixel.com /1 week ago

Fujifilm GF19-35mm T3.5 Is a Wide and Fast Large Format Power Zoom

Fujifilm has announced the Fujinon GF19-35mm T3.5 PZ OIS WR lens, its second cinema power zoom lens for large format filmmaking with the GFX system. [Read More]

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cined.com /1 month ago

Cinelux Project SIXTEEN Hybrid Film and Digital Super 16 Camera – First Look

At Cine Gear 2026, one of the more unusual cameras on the floor was neither fully digital nor fully film. The Cinelux SIXTEEN, developed by Cinelux Cinema Tools as part of its Proj...

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petapixel.com /1 week ago

Stars of ‘The Odyssey’ Describe the Insane IMAX Camera Used to Film It

Christopher Nolan's upcoming IMAX epic, The Odyssey, arrives in theaters in just a few short weeks. It is a massive moment in cinema history, thanks in large part to the way it was...

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Sources covering Large Format Cinematography

dpreview.com

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independent.co.uk

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newatlas.com

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nofilmschool.com

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petapixel.com

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cgomovies.co.uk

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