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Shooting in a specialized format requires specialized tools.
Christopher Nolan’s The Odyssey, now in theaters, is the first feature film ever shot entirely with IMAX 15-perf/65mm film cameras, a milestone enabled by a newly developed camera...
You thought we were living in an AI revolution, huh? Well, you’re absolutely right. We are. But, on top of that, we’re also living in a large format filmmaking revolution that’s ar...
For decades, filmmakers have been asking the wrong question.Is 35mm more cinematic than digital? Is 70mm worth the expense? Should we shoot open gate?For me, these debates all over...
Watching The Odyssey in Christopher Nolan's preferred 70mm format is not accessible for everyone -- there are only 41 theaters in the entire world that will show the large-format f...
Christopher Nolan has fulfilled his dream of shooting a feature film entirely on IMAX film with The Odyssey
Running a film in Christopher Nolan’s preferred format is a specialized skill that only a few projectionists left can claim.
In just an eight-month period, no fewer than three new medium format panoramic film cameras hit the market. I've used them and am ready to render my verdicts on each, but there can...
Sigma is going wide and long with its popular Aizu large-format series of cinema prime lenses, adding three new options. All three new lenses continue the legacy of the previous ei...
I'm a little late to the party, but when looking at Kodak's strong financial results yesterday, I realized that the company had released new large-format film and bulk roll product...
Looking to boost some of the more popular ARRI ALEXA cameras currently used by high-end cinematographers and working film and video crews?Well, you’re in luck, as there’s a new foc...
ILLUVISION has recently introduced the MAGNA 65-350mm T3.6, which is essentially a repurposed ARRI/FUJINON Alura 45-250mm T2.6 Studio Zoom with a built-in optical expander that upg...
Sony's new FX5 records 16-bit XOCN raw internally, a codec that until now lived only in the Burano, Venice, and Venice 2. Squeezing that into a compact cinema body reshapes what yo...
Given the option, most of us would probably jump at the opportunity to shoot something on film stock. There's just something about the color, the depth, the grain, the jitter that...
The everyday viewer probably only notices cinematography when it's flashy, but the fundamentals carry the story.A recent video from StudioBinder Academy is built on Joseph V. Masce...
Director Christopher Nolan has shed more light on what it was like shooting the first-ever feature film entirely on 70mm IMAX cameras. [Read More]
Traditionally, shooting with an anamorphic lens has always come with its set of hurdles. While having the cinematic squeeze is nice, battling with the size and weight can be rather...
The different IMAX filming and projection formats have a dramatic impact on the theater viewing experience.
A massive price drop across its line of cinema cameras allows Blackmagic Design to, once again, offer excellent value to filmmakers on a budget. [Read More]
Kodak is the only major manufacturer of color motion picture film left in the world, and at the 2026 Academy Awards, three out of five Best Cinematography nominees and five out of...
With Christopher Nolan's The Odyssey causing a lot of commotion at the box office, there's another movie that was also shot on film that's currently playing in theaters. [Read More...
Sony appears to supersede the FX3 with a something much closer to its pro cinema cameras
While more tailored to the needs of medium-format photographers, this new Pittura 30mm f/2.4 from Zhong Yi Optics could be an interesting option for medium-format videographers and...
A new ultra-wide prime lens has been launched that will likely turn some heads for those looking to expand their field of view in medium format.NiSi has announced that the company’...
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