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Cinephiles in Southern California are in for a treat this weekend when the Palm Springs 70mm Film Festival gets underway. [Read More]
IMAX film screenings are special experiences. Not many theaters play the actual IMAX celluloid, and that is in large part because of the insane logistics involved with projecting t...
ZEISS is making its definitive push into 65mm cinematography with the Panoptes 65, a set of ten primes engineered specifically for large-format cameras such as the ARRI ALEXA 265,...
ZEISS will be showing its ten-focal-length Panoptes 65 large-format prime set at Cine Gear Expo LA next week and has released new details on what looks to be some very classy glass...
The Angénieux OPTIMO ULTRA 12X65 was designed and optimized for the next generation of 65 format cameras. It features a massive 46-556mm focal range, a constant T5.6 aperture, and...
The theatrical experience is sacred. There is nothing quite like seeing one of your favorite films in a crowded theater—especially if that movie was captured specifically for large...
Big, BIG news today for large-format filmmakers: ZEISS has dropped a new set of cinema prime lenses. This new ten-lens set of large-format cinema primes will range from 25mm to 180...
Celebrated Hollywood auteur Christopher Nolan will become first director to use the brand-new IMAX 140mm format.
Toronto. Over the years, various cameras were offered with a moveable septum and lens that (or some times the entire camera) rotated to create extreme wide angle shots. Around 1952...
Thypoch has expanded its Simera-C compact cinema prime lineup with a new ultra-wide 16mm T1.9, available in Sony E-mount and Leica M-mount. The lens introduces a 106° diagonal fiel...
Thypoch announced a new addition to its Simera-C series of affordable, compact cinema primes, the Simera-C 16mm T1.9. It is Thypoch's widest full-frame cinema prime lens yet. [Read...
The medium (120/220) format is revered for its immense resolution. On film, switching from full-frame (35mm) can dramatically reduce grain and add significant detail that smaller f...
Choosing between a 35mm and 40mm prime lens sounds like splitting hairs, but if you shoot in tight spaces, near cliffs, or anywhere you can't step back, that small difference in fi...
NiSi has launched the 65 PRIME 16mm T2.9 at NAB 2026, the first lens in a new series designed specifically for large format sensors. With an image circle close to 65mm, the rectili...
TLS has announced its new rehoused Angénieux 45–90mm T3.5 Cine Zoom Lens, which is touted to offer full‑frame performance with the soul of a vintage cine zoom. First introduced in...
Building on the legacy of the CINE-SERVO 50-1000mm T5.0-8.9, the new CINE-SERVO 40-1200mm T5.0-10.8 offers an expanded zoom range while maintaining the lightweight, compact design...
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