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The everyday viewer probably only notices cinematography when it's flashy, but the fundamentals carry the story.A recent video from StudioBinder Academy is built on Joseph V. Masce...
There is something so sumptuous about the images Roger Deakins puts on the screen. He's collaborated with some of the best directors of all time, getting his vision onto the big sc...
Given the option, most of us would probably jump at the opportunity to shoot something on film stock. There's just something about the color, the depth, the grain, the jitter that...
Ukrainian camera operator and director of photography Serhii Koshelenko is building a new approach to the visual language of reality The post How Camera Operator Serhii Koshelenko...
For decades, filmmakers have been asking the wrong question.Is 35mm more cinematic than digital? Is 70mm worth the expense? Should we shoot open gate?For me, these debates all over...
The cinematographer behind the acclaimed horror-comedy TV show Widow’s Bay has revealed how he created the series’ distinctive cinematic look. [Read More]
Christopher Nolan’s The Odyssey, now in theaters, is the first feature film ever shot entirely with IMAX 15-perf/65mm film cameras, a milestone enabled by a newly developed camera...
There is something almost rebellious about switching off the film lights. No towering HMIs. No glowing softboxes. No cables running across the floor. Just the world as it is: Sunli...
The visual is cultivated through visions. It may seem like an oxymoron, but we often tend to overlook the importance of nurturing our ability to see. The perception of experience a...
Director of photography Sophie Darlington tells IndieWire about crafting visuals that bring viewers as close as possible to seeing a lion pride in action.
Academy Award–winning cinematographer Claudio Miranda, ASC, ACC (Life of Pi, Top Gun: Maverick, F1), put the new Sony FX5 to the test. Claudio returned to a location he has frequen...
Avery Dohrmann is a filmmaker who wrote for us back in 2023 about making his debut feature, Our Final Days in Paradise, at 20. He's back with a video essay on visual literacy, and...
Gustav Danielsson, FSF, earned an Emmy nomination for his work on the stunning "In the Name of the Mother," the fifth episode of HBO's A Knight of the Seven Kingdoms. The episode f...
Shooting in a specialized format requires specialized tools.
Look how far digital filmmaking has come.
In The Isolate Thief, Ada Horn (Mackenzie Foy) is stranded at a snowbound Union Army outpost in Oregon after her father dies. She stumbles on a stash of stolen gold and decides to...
The Oscar-nominated cinematographer tells IndieWire about crafting the perfect visual language to express mystery, madness, and claustrophobia in the Netflix series.
I've been thinking lately that it had been a while since I filmed a short form project. As in, actually directed the story, actors, and visuals. Right on cue, my buddy and amazing...
Sir Rildey Scott is nearing 90 years old and still directing movies in his own way. The director, who is never short of opinions, In an interview published by filmmaker Patrick Tom...
A lot of people associate point-of-view perspective solely with video games. Yet we filmmakers know it as one of the mighty narrative tools since the early days of cinema. It break...
Blocking is one of those invisible and maybe not-as-glamorous aspects of filmmaking. It's the choreography of where your actors stand, if and when they move, and how the camera fra...
"Adolescence" pulled off something most productions only pretend to do: four episodes, each filmed as a single continuous take, no stitched cuts hiding in the shadows. The internet...
Behind the cinematography with iPhones, drone work and VFX in 28 Years Later. An excerpt from issue #63 of befores & afters magazine. The post What it took to film with iPhones...
One of the more unique cameras to be announced, and now demoed, in the past few years, the HONOR Robot Phone is a high-concept gimbal-styled cinema camera that comes out of a partn...
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