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cined.com /1 month ago

Unlocking Performance – Actor-Director Collaboration, Uncanny Choices, and On-Set Immersion

When we talk about directing, we often get caught up in the technical aspects of it, such as camera movement, lighting setups, or the mechanics of a scene. Yet cinema is ultimately...

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nofilmschool.com /1 month ago

Film Blocking 101: Space, Shape, and Power on Screen

Blocking is one of those invisible and maybe not-as-glamorous aspects of filmmaking. It's the choreography of where your actors stand, if and when they move, and how the camera fra...

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nofilmschool.com /1 week ago

6 Filmmakers Who Started as Actors

Sometimes, acting isn’t enough to feel creative on a film set. There is a need to have more control over how the story is captured and told. That has given us the following six fil...

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raindance.org /4 weeks ago

How to Direct Branded Films Without Losing a Cinematic Point of View

The quickest way to lose a cinematic point of view on a branded film is to treat the brief as a shot list. The client needs the facility, the product, the team, an interview and th...

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howlround.com /1 month ago

Directing Queer Theatre at Its Edges on College Campuses: An Invitation

By John Michael DiResta. Queer theatre in universities straddles a cultural bifurcation of liberatory and reactionary perspectives.

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nofilmschool.com /1 month ago

How Scorsese Plans a Scene

Martin Scorsese has made some of the most meticulously composed images in American movies. I mean, have you seen the Copa tracking shot? What about the stark black-and-white drama...

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rooferscoffeeshop.com /2 days ago

Directing danger away

directing-danger-away

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nofilmschool.com /3 weeks ago

David Zucker on Why Getting Two Key Things Right Determines Your Movie's Fate

I remember renting Airplane! on VHS and laughing so hard milk came out of my nose. That could have been last week, but it was probably 30 years ago. The comedy mastermind behind th...

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nofilmschool.com /1 month ago

The Real Skill Behind Getting a Movie Made

Making a movie is brutal. It's hard. We know.But the lead-up to the green light might even be worse. Before you get to hire actors or buy props, you often have to sit across from s...

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nofilmschool.com /1 week ago

Where Should Your Actor Look? Eyelines, Explained

Eyelines are one of those invisible elements of filmmaking. When they work, you don't notice them at all. When they don't… whew, it's bad, and it's obvious. If you have a scene whe...

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gointothestory.blcklst.com /4 weeks ago

Screenwriting 101: David Lynch

“It’s a simple thing… If you want to make a feature film, you get ideas for 70 scenes. Put them on 3-by-5 cards. As soon as you have 70…Continue reading on Go Into The Story »

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thepeoplesmovies.com /1 month ago

Footage of Andy Serkis Directing The Hunt for Gollum In Character

After his success as the character Gollum in The Lord of the Rings, Andy Serkis has been... The post Footage of Andy Serkis Directing The Hunt for Gollum In Character appeared firs...

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indiewire.com /1 month ago

The American Film Institute’s Celebrated AFI DWW+ Directing Workshop Opens Call for Applicants

Exclusive: Applications for the immersive training program, which culminates in a completed thesis film to be screened for the industry, are now open through September 9.

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gointothestory.blcklst.com /3 weeks ago

Screenwriting 101: David Mamet

“Theoretically, perfectly, what one wants to do is put the protagonist and the audience in exactly the same position. The main question in…Continue reading on Go Into The Story »

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nofilmschool.com /1 week ago

What a Good Film Producer Actually Does

Producer Nick Morton spent 30 years in Hollywood, first as a development executive at Philip Anschutz's Bristol Bay Productions on films like Ray and Sahara, then at Phoenix Pictur...

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