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The everyday viewer probably only notices cinematography when it's flashy, but the fundamentals carry the story.A recent video from StudioBinder Academy is built on Joseph V. Masce...
Think of one of your favorite films. How does it handle its locations? How does the film give you an idea of the world its characters inhabit? Maybe a big sweeping crane shot? A lo...
Camera movements play a crucial role in shaping the visual language of a film, guiding how viewers experience and interpret a story. In his breakdown, Dan Kieft examines a range of...
Martin Scorsese has made some of the most meticulously composed images in American movies. I mean, have you seen the Copa tracking shot? What about the stark black-and-white drama...
It would be hard to name any films better than Singin' in the Rain (1952). The movie is just this wondrous ride through classic Hollywood that is also a masterclass in musical chor...
Choosing between objective and subjective camera coverage is one of the most consequential decisions you make when planning a scene. The difference between showing an audience what...
It is all too easy to dismiss the over-the-shoulder shot as “the common,” “the mundane,” or “the classic dialogue coverage.” We see it everywhere, from television to big-budget blo...
Shooting cars at night in a city like Hong Kong is a different challenge than a controlled studio setup or a daytime location shoot. You're working with mixed artificial light, hea...
One Battle After Another, Paul Thomas Anderson's action drama, shot by cinematographer Michael Bauman in VistaVision, is one of the best-looking films in recent memory. We've writt...
The Odyssey is the first-ever movie to be shot entirely on IMAX 70mm film. The format is so large that it can only be shot continuously for roughly two and a half minutes, as that...
The camera used to shoot Christopher Nolan's upcoming epic The Odyssey -- the first movie ever to be shot entirely on IMAX cameras -- has gone on public display in Los Angeles. [Re...
Cinematographer Adam Bricker tells IndieWire about the joys of getting to always have Paris, and also five seasons of an HBO series.
Cinematographers from “Love Story,” “The Chair Company,” “The Testaments,” “Star Trek: Starfleet Academy,” and “Shrinking” convened to discuss their process at IndieWire's Craft Ro...
Night shoots. Sometimes the idea alone is enough to cause a panic attack in a filmmaker. They're hard, they take a lot of time, and they create unique challenges for your cinematog...
IMAX and Universal Pictures have posted up a featurette video talking about how The Odyssey was shot entirely on IMAX film cameras. By filming everything with IMAX film cameras, th...
No, you can grab it to try it out. And we don’t recommend trying to steal it to shoot your short film this weekend at that cabin in the woods. However, if you’re a fan of Christoph...
For the first time, the Eurovision Song Contest was shot entirely on cinema cameras, and as part of our ARRI x CineD Media Cooperation at Eurovision, I spent more than six weeks on...
I think I already told you that I got to spend a few days staying in the city recently. It was fun to be a tourist in my own city, and I managed to visit […]
Shooting inside a historic church with nothing but available light sounds romantic until the sun moves and you're left in the dark. That's where Andrew Banner's video on shooting W...
If your editor dreads getting your footage, that's a problem. So, this is for you. Jesse Senko is a photographer and director with a background in advertising. He's had years of co...
Crew reveal the mirror system built to let actors keep eye contact around IMAX's bulky camera blimp on Nolan's The Odyssey.
Much has been written about The Odyssey ; the first film in history to be shot entirely on the ultra-large-format IMAX system. However, it was only possible after IMAX released a n...
You know that I'm always going to seek out the horror films on a festival schedule, which I was so delighted to see Recluse during the Tribeca Film Festival this year. The gothic c...
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