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ARRI Film Lab 1.5 adds 8mm, 16mm, and 65mm looks, anamorphic grain, and ACES 2.0 support.
Nearly a year ago, Arri, one of the biggest names in cinema, launched Film Lab. It's an OpenFX plugin for industry-standard video editing and color grading workflows that promises...
ARRI has released Film Lab 1.5, a major update to its OpenFX plugin that brings the look of analog film to digital images. The new version adds 8mm, 16mm and 65mm film formats, ana...
While not a full step update (as in a version 1 to a version 2), this 1.5 version update for ARRI Film Lab is quite significant nonetheless.This major update to ARRI’s popular lice...
Filmverse Arsenal is Colorist Foundry’s signature end-to-end pipeline for high-end production. It features extensive negative and print stock libraries, custom DRT capabilities, an...
ARRI is having a free live webinar called Exploring ARRICORE: A Visually Lossless RGB Codec that will be hosted by commercial DP Charles Bergquist, along with Picture Shop’s Superv...
HAL Picture is turning its two look development plugins into a family. At IBC 2026, we spoke to co-founder Olivier Patron and engineer Antoine about Dia Squared, a single plugin th...
Long anticipated, now a reality: a production version of the new Sony FX5 with final firmware has arrived at our CineD headquarters in Vienna. Time to run it through our standard C...
Big news for high-end filmmakers and cinematographers as ARRI has unveiled a notable new Software Update Package (SUP) that adds new features and capabilities to its full range of...
Cinematographer Ralph Kaechele recently used the ARRI ALEXA 35 and SkyPanel X fixtures to shoot the German-Austrian miniseries “Hundertdreizehn” (“One Hundred and Thirteen”) for AR...
As ARRI Rental transitions to an independent business, its CEO, Dana Harrison, and President of North America, Andy Shipsides, have addressed what this means for its customers and...
The Cinelux Reduxa A1 is the first focal reducer system for the ARRI Alexa Classic, XT and SXT. I previously featured it on the site, when it was still very much in the prototype s...
Driftwood productions, ARRI EI Zone v2.0 is now a OFX plugin. The new version adds several new features and improvements over its predecessor. Version 2.0 rebuilds the ARRI EI Map...
ARRI has released Software Update Package (SUP) 3.6.6 for the Hi-5 and Hi-5 SX. New features include focus marks now being able to be handled by ALEXA 35 cameras and the ALEXA 265,...
ARRI is bringing SMPTE ST 2110 support for the ALEXA 35 Live Multicam System. This opens the system up to fully IP-based broadcast studios, stadiums, high-end flypacks, and remote...
Late last year, we spoke with former cinematographer David Bross about his free DIGILOG iPhone app and his plan to revive the Digital Bolex D16 around its original Kodak CCD sensor...
ARRI has released Software Update Package 6.2.0 for the ALEXA 35, ALEXA 35 Xtreme, ALEXA 35 Live and ALEXA 265. The update connects the Focusbug Cine RT rangefinder directly to the...
The Television Academy and NATAS have named the winners of the 2026 Engineering, Science & Technology Emmys, including Adobe, Avid and ARRI.
Joel Famularo has released his long-awaited Phantom LUTs for the Nikon ZR, bringing the ARRI Alexa emulation his packs are known for to Nikon’s compact cinema camera. The Gen 1 rel...
Behind the cameras, photographs, and motion pictures that have shaped generations of visual storytelling lies another fascinating history: the inventors, engineers, and manufactu...
Kodak Direct Positive Panchromatic Safety Film, or Kodak DPPSF, is probably the oldest film that I have ever taken in for review. Kodak DFFPSF is one of the many motion picture fil...
Alongside notable updates to its ALEXA 35mm and 65mm camera range, ARRI has announced an important Software Update Package (SUP) for its Live Production Monitor.The ARRI LPM-1 is g...
For a limited time, ARRI Australia is offering an extended warranty on new ALEXA 35 Xtreme Base and Premium camera packages. With this promotion, purchases now include 4 years of w...
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