Portable virtual production without LED volumes: Beeble and VPX Lab at NAB 2026
Beeble and The VPX Lab used NAB 2026 to show a portable virtual production pipeline that skips LED volumes and keeps creative decisions open through post.
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Beeble and The VPX Lab used NAB 2026 to show a portable virtual production pipeline that skips LED volumes and keeps creative decisions open through post.
The latest MZed release, Virtual Production for Beginners, takes a deliberate detour around the LED volume hype that has dominated virtual production coverage since The Mandalorian...
The hardware-agnostic software for end-to-end virtual production and in-camera VFX now incorporates expanded 3D workflows to work natively with USD, enhanced metadata tracking, Gau...
At NAB 2026, 4DV.ai and OBSBOT teamed up to show what professional 4D Gaussian Splatting volumetric capture looks like once it leaves the research lab. Their joint installation use...
New real-time virtual shot system enables filmmakers to visualize and develop projects collaboratively in 3D from the earliest stages of production.
Sony's XYN platform finally has a commercial release date: the cloud-based suite for generating 3DCG assets for virtual production arrives in the US in summer 2026.
Zero Density and Chaos are previewing real-time ray tracing inside a live virtual studio pipeline at NAB 2026, while ZD also introduces AI newsroom tools, Gaussian splatting, and a...
Veteran director and writer Jon Favreau revealed he fully integrated Apple Vision Pro into the production pipeline for his upcoming Star Wars film coming out this May, The Mandalor...
AI-driven filmmaking is reshaping how creators approach visual storytelling, offering streamlined workflows and enhanced creative possibilities. In a recent analysis, Olivio Sarika...
Early in my career, I thought pre-production was paperwork. Shot lists. Call sheets. Meetings where people said “circle back” and “action…Continue reading on Medium »
At NAB 2026, Radiant Images showed off a 24-iPhone bullet time rig that ditches traditional frame-by-frame interpolation in favor of Gaussian splatting. The result is a fully recon...
Director Jon Favreau (Iron Man, The Jungle Book) hasn't been shy about embracing new technology for filmmaking. While producing The Mandalorian for Disney+, he was one of the first...
Gracia's moving fully volumetric captures can now be streamed, including to mixed reality on Quest 3, with no app or content download required — and an Apple Vision Pro app is comi...
Remember the massive virtual studio setups of old? (Ten or fifteen years ago, because that’s how fast we’re going) How did integrating live graphics into a broadcast feel like laun...
The AI video creation agent now generates Character Bibles, Scene Bibles before producing a single frame — bringing director-level planning to AI ad production. The AI video creati...
Games today are more than entertainment. For many people, they’re culture imcluding communities, stories, shared references, and a huge content ecosystem. That’s why more and more...
Building interactive 3D applications frequently hits a hard bottleneck. Design and training teams hold a clear vision for an experience, but bringing that vision to life requires s...
In this episode of Focus Check, Nino speaks with Biro Florin — entrepreneur, misfit, and founder of Masterwork Films — about his unconventional path from cosmetics and software to...
Adobe Research has previewed MotionStream, an experimental technology that lets creators interact with AI-generated video in real time — adjusting object movement and camera angles...
Inside Avatar: Fire and Ash filming at Lightstorm Entertainment. See how performance capture and virtual cameras create every shot.
Puget Systems turns its NAB 2026 booth into a live programming stage, with Corridor Digital filming VFX Artists React in front of an audience for the first time.
Early Access begins May 19 on the company’s production system designed to help studios turn existing assets into episodic series and films while maintaining artistic control and IP...
AlibabaGroup launched Happy Oyster, an AI model that generates interactive 3D video environments, expanding from 2D video into immersive content creation.
It's a big, big year of Production Sessions at SIGGRAPH. The post ‘The Mandalorian and Grogu’, ‘Project Hail Mary’ to be featured in SIGGRAPH 2026 Production Sessions appeared firs...
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