Arri Film Lab 1.5 Aims To Emulate Even More Analog Cinema Formats
Nearly a year ago, Arri, one of the biggest names in cinema, launched Film Lab. It's an OpenFX plugin for industry-standard video editing and color grading workflows that promises...
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Nearly a year ago, Arri, one of the biggest names in cinema, launched Film Lab. It's an OpenFX plugin for industry-standard video editing and color grading workflows that promises...
One of our staff members used to joke that combining a Holga with a red filter and a roll of Ilford SFX was like shooting fish in a barrel: you couldn't miss. While that sentiment...
There is a certain clique of photographic films, let’s call it the “Sub-100 Club.” This is a group of films who flaunt ultra low ISO ratings below 100. [Read More]
ARRI has released Film Lab 1.5, a major update to its OpenFX plugin that brings the look of analog film to digital images. The new version adds 8mm, 16mm and 65mm film formats, ana...
Welcome to another Film Friday review, where we like to dig into a particular film emulsion, lay out a bit of its history, share our personal experiences with it and provide some i...
Welcome back to Film Friday. We’re featuring one of our heavy hitters this week with Kodak’s Ektar 100. Alongside the Portra films, Ektar is one of the most popular films on the ma...
With this week’s Film Friday we are hitting the highest point on the Cinestill triangle so to speak. Today we are taking a look at Cinestill 800T, arguably their flagship film and...
When it comes to Tri-X, I’ve always seen this film as having a wide latitude. I have since learned that the new formulation, 400TX, first released in 2007, isn’t as good as the pre...
Joel Famularo has released his long-awaited Phantom LUTs for the Nikon ZR, bringing the ARRI Alexa emulation his packs are known for to Nikon’s compact cinema camera. The Gen 1 rel...
ARRI Film Lab 1.5 adds 8mm, 16mm, and 65mm looks, anamorphic grain, and ACES 2.0 support.
When this highly anticipated film finally became available, some photographers noticed an odd green-yellow tint that made scanning particularly difficult. In this short guide, I’ll...
HAL Picture is turning its two look development plugins into a family. At IBC 2026, we spoke to co-founder Olivier Patron and engineer Antoine about Dia Squared, a single plugin th...
There’s a very specific kind of red-orange glow you’ve probably seen a hundred times. A photographic effect where bright light bleeds past its edges – off a neon sign, or a street...
We stated in our Film Friday review of Kodak Portra 400 (and again in our Portra 800 write up) that it is pretty much a perfect color film, so you’ll hopefully understand and forgi...
Ilford Delta 100 is a high-resolution medium-speed black-and-white film that features tabular grain in its emulsion (a Core-Shell™ technology). Launched in 1992, it was the respons...
Today’s Film Friday takes a look at a blast from the past: Kodak ColorPlus 200. This all-purpose film is one of the most affordable color negative films available for loading into...
After seeing the results I got out of Kodak TMax 100, I had high hopes for Delta 100. Delta 100, being a modern emulsion, is a good film stock: sharp, lots of contrast, and some de...
Kodak Direct Positive Panchromatic Safety Film, or Kodak DPPSF, is probably the oldest film that I have ever taken in for review. Kodak DFFPSF is one of the many motion picture fil...
While not a full step update (as in a version 1 to a version 2), this 1.5 version update for ARRI Film Lab is quite significant nonetheless.This major update to ARRI’s popular lice...
CineDream, the point-and-click color grading tool from Color Finale creator Denver Riddle, is now available as native plug-ins for Adobe Premiere Pro, After Effects, Final Cut Pro,...
This film can look very different, depending on how or what you develop it with. I spent six years and countless rolls with this emulsion as a go-to. In this in-depth review, I sha...
Ilford Photo has unveiled a new limited-edition black-and-white film, Ilford Delta 400 Professional Collector's Edition. [Read More]
FilmConvert has finally introduced a new Camera Pack for the RED V-RAPTOR. Using FilmConvert Nitrate and CineMatch plug-ins, it should now be easier to grade and match footage shot...
Filmverse Arsenal is Colorist Foundry’s signature end-to-end pipeline for high-end production. It features extensive negative and print stock libraries, custom DRT capabilities, an...
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