Search results for Editorial:nihoneiga

Nihon Eiga Navi vol.117

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映画「国宝」人気、追い風にできるか　若い世代の取り込みに動く松竹

カンヌ映画祭コンペに日本監督25年ぶり3作品　是枝、濱口、深田

「東洋のハリウッド」太秦を次世代へ　撮影・小道具、プロから学ぶ

Japan Is Everywhere at Cannes This Year

With Kore-eda, Hamaguchi and Fukada in competition and a new generation pitching at the market, the country of honor is making the most of its moment.

Ryusuke Hamaguchi makes gentle, quiet, long films. And he might win the Palme d'Or

The Cannes Film Festival is not a place that’s conducive to taking your time. Festivalgoers rush frantically between screenings. The protocol department enforces precisely timed re...

Kokuho Review

Japanese performing arts are becoming increasingly well-known due to greater media exposure and accessibility. Rakugo,... The post Kokuho Review appeared first on .

Kabuki makes a comeback in Europe after hit film 'Kokuho'

Japan, Cannes’ Country Of Honor This Year, Brings Palme D’Or Hopefuls And New Ideas To Festival And Market: “It’s Really...

Japan is out in force in Cannes this year across the Official Selection and parallel sections as well as the Marché du Film, where it is the country of honor, with its high-profile...

Three Japanese directors vie for top prize at Cannes, a first since 2001

Hirokazu Kore-eda, Ryusuke Hamaguchi and Koji Fukada bring a strong Japanese presence to the Cannes Film Festival's competition section this year.

Nippon Sangoku The Three Nations of the Crimson Sun ‒ Episode 6

This right here is just pure, absolute cinema, baby.

‘Nagi Notes’ review: A stranger unsettles a rural Japanese community in Koji Fukada’s subdued drama

Fukada’s Cannes Competition premiere stars Shizuka Ishibash and Takako Matsu

‘Leave the Cat Alone’: Even when life and love get messy, creativity survives

In Daisuke Shigaya's film about a chance reunion of former flames, the drama is in the details, where memory slips and feelings quietly shift.

‘Nagi Notes’ Review: Kōji Fukada Sculpts Simmering Multigenerational Romances In The Japanese Countryside [Cannes]

CANNES – Kōji Fukada’s latest film, “Nagi Notes,” is a fascinating flower, but perhaps not for the reasons the filmmaker intended. And that’s not necessarily a bad thing, mind you....

Japan’s highest-grossing live‑action film is a lavish kabuki epic

Kokuho is a colourful, lengthy epic, spanning five decades and running almost three hours, set in the world of kabuki – Japan’s most popular traditional performing art. It has been...

Editors Take: The Silent Brooding Cinema of Govind Nihalani

Filmfare's Editor-In-Chief on why filmmaker and cinematographer Govind Nihalani needs to be celebrated more. Continue reading ...

Studio Ghibli celebrates the magic of movie theaters with short video, Hayao Miyazaki illustration

Familiar voice provides narration for reminder that there’s something special about the in-theater experience. Studio Ghibli was one of the last anime studios to allow for digital...

Editors Take: The Silent Brooding Cinema of Govind Nihalani

Filmfare's Editor-In-Chief on why filmmaker and cinematographer Govind Nihalani needs to be celebrated more. Continue reading ...

【更新中】審査員長が語った「政治と芸術」　カンヌ国際映画祭開幕

‘Kyoto Hippocrates’: A genial look at medicine’s early days in Japan

Akira Ogata's warmhearted drama mixes medical history, culture clash and gentle humor into an enlightening look at modern medicine's beginnings.

日本にとって沖縄とは何かを問う　映画「太陽の運命」がロングラン

Eclipse Series 48: Kinuyo Tanaka Directs

Paradoxically, Kinuyo Tanaka might be one of the most well-known and least well-known figures of 20th-century Japanese cinema

‘Burn’ lights up Kabukicho’s darkness with a bold vision

Makoto Nagahisa takes a hyper-modern approach to some timeless themes of youth and destruction in his stylized drama, "Burn."

‘One Last Love Letter’: A wistful throwback to romance in the age of texts

Yuya Ishii's drama leans into familiar tropes but delivers a tender reminder of the power of words left unsaid for too long.