Social Media Ideas for Cinelens

Latest updates for Cinelens

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nofilmschool.com /1 month ago

CINELUX Has Made a New Speed Booster for These Popular ARRI ALEXA Cameras

Looking to boost some of the more popular ARRI ALEXA cameras currently used by high-end cinematographers and working film and video crews?Well, you’re in luck, as there’s a new foc...

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newsshooter.com /1 day ago

DZOFilm Arles 25-75mm T2.6 & 65-180mm T2.6 FF Zoom Cine Lenses

DZOFilm has officially announced the Arles 25-75mm T2.6 & 65-180mm T2.6 FF zoom cine lenses. According to DZOFilm, the two new zooms are designed to complement the Arles primes...

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cined.com /1 month ago

CINELUX REDUXA A1 Focal Reducer for ARRI ALEXA Classic/XT/SXT Teased

CINELUX has recently teased what could be the first focal reducer for the ARRI ALEXA Classic/XT/SXT: the REDUXA A1. While still in a very early prototype stage, the A1 should work...

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fstoppers.com /1 month ago

We Dive Into the Anamorphic World With the DZOFilm Arcana Series Lenses

Traditionally, shooting with an anamorphic lens has always come with its set of hurdles. While having the cinematic squeeze is nice, battling with the size and weight can be rather...

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nofilmschool.com /3 weeks ago

Are These ZEISS Panoptes 65 Lenses the Ideal Pairing for Your Large Format Cinema Cameras?

You thought we were living in an AI revolution, huh? Well, you’re absolutely right. We are. But, on top of that, we’re also living in a large format filmmaking revolution that’s ar...

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nofilmschool.com /1 month ago

Are These DZOFilm Arcana Primes the Best Value Anamorphic Lenses for Indie Filmmakers?

If you look back even just a few years, the concept of shooting anamorphic was pretty much only available to the highest-end filmmakers and video production crews. You’d have to ha...

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petapixel.com /1 week ago

Sigma’s Aizu Prime Cine Lens Lineup Just Became Much More Versatile

Sigma has announced three new Aizu Prime cinema lenses. The 21mm T1.3 LF, 100mm T1.3 LF, and 125mm T1.3 LF join eight existing T1.3 Sigma Aizu lenses, which previously ranged from...

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cined.com /1 day ago

DZOFILM Arles Zoom 25-75mm and 65-180mm T2.6 Announced – Constant Aperture, Parfocal, Under 1.8kg

DZOFILM has added two full-frame cinema zooms to its Arles line: a 25-75mm T2.6 and a 65-180mm T2.6. Both share the front diameter, gear positions, and 16-blade iris of the eleven...

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newsshooter.com /6 days ago

TLS Nikon AI/AI-S cinema lens series

TLS has unveiled its new rehoused Nikon AI/AI-S cinema lens series, which is said to bring the distinctive optical character of Nikon’s legendary vintage lenses into a purpose-buil...

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petapixel.com /1 day ago

DZOFilm’s Full-Frame Arles Zooms Promise Prime-Level Performance

DZOFilm has announced a pair of new cinema zoom lenses that promise to deliver the performance and character of its cinema primes. The Arles Zoom 25-75mm T2.6 and 65-180mm T2.6 cov...

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redsharknews.com /6 days ago

DZOFILM Arcana 1.5X anamorphic lens review: specs & verdict

Kevin Luiz tests DZOFILM's Arcana 1.5X anamorphic primes on a helicopter shoot, finding the cleanest, most affordable full-frame anamorphic set yet, with a few gaps to fill.

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newsshooter.com /1 month ago

In-depth look at the ZEISS Horizon Anamorphic lenses

ZEISS has a new video series for its ZEISS Horizon Anamorphic lenses. In these videos, ZEISS Cine Lens Specialist David Warner gives an overview and goes through the different aspe...

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newsshooter.com /7 hours ago

Leitz iD Mount

Leitz Cine has introduced the Leitz iD Mount, an optional mount with a metadata interface for the Leitz HUGO and Leitz SUMMILUX-C lenses. With the iD Mount, compatible cameras can...

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cined.com /1 week ago

ILLUVISION MAGNA 65-350mm T3.6 – Rehoused ARRI/FUJINON Alura Zoom for Full-Frame Sensors

ILLUVISION has recently introduced the MAGNA 65-350mm T3.6, which is essentially a repurposed ARRI/FUJINON Alura 45-250mm T2.6 Studio Zoom with a built-in optical expander that upg...

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cined.com /1 month ago

Atlas Mercury Anamorphic Lens Price Drop – New Lower Pricing Across All Nine Focal Lengths

Atlas Lens Co. has cut the everyday price of its Mercury Series 1.5x full-frame anamorphic primes, with the 36mm, 42mm, 54mm, 72mm, 95mm, and 138mm falling from $7,995 to $4,499 an...

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cined.com /2 weeks ago

CHIOPT XTREME ZOOM 16-35mm T3.2 Lens Introduced

CHIOPT has recently teased a new 16-35mm T3.2 lens to complete its full-frame XTREME ZOOM series, which now covers a broad range of focal lengths spanning from 16mm up to 250mm, wi...

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nofilmschool.com /1 month ago

See What Atlas Lens Co.’s Mercury Series Anamorphics Look Like on the New Sony FX5

Well, this is a camera-and-lens combination we’re looking forward to seeing the cinematic results of. Spoilers: it looks awesome. Ever since the Sony FX5 was first officially annou...

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fstoppers.com /9 hours ago

SIRUI Announces Saturn V2 Full-Frame Anamorphic Series with 90-Degree Rotation

SIRUI has officially announced the launch of the Saturn V2 Full Frame Anamorphic Lens Series, representing a significant update to its popular Saturn anamorphic system. Aimed at mo...

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nofilmschool.com /1 month ago

The Secret Power of Close-Ups (and the 5 Types You Should Master)

The everyday viewer probably only notices cinematography when it's flashy, but the fundamentals carry the story.A recent video from StudioBinder Academy is built on Joseph V. Masce...

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newsshooter.com /1 day ago

Creamsource C3– 3000W full-color LED Fresnel

Creamsource has announced its new C3, a 3000W full-color LED Fresnel, which is the first fixture in a new product line. The C3 is fundamentally different from a lot of other option...

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nofilmschool.com /1 week ago

7Artisans Brings Another Bright Fisheye Lens With an Expansive 185° Angle of View to Filmmakers

A new bright fisheye lens is now on the market for filmmakers, videographers, photographers, and hybrid content creators, offering something unique for its price point.This new 10m...

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nofilmschool.com /2 days ago

Forget 70mm and 35mm. The True Cinematic Format Is 720p iMac

For decades, filmmakers have been asking the wrong question.Is 35mm more cinematic than digital? Is 70mm worth the expense? Should we shoot open gate?For me, these debates all over...

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redsharknews.com /3 weeks ago

Artemis Director's Viewfinder: Vertical Mode

Chemical Wedding has added a dedicated Vertical Mode to Artemis Director's Viewfinder, bringing its lens, framing and shot-planning tools to vertical production.

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fstoppers.com /1 month ago

Is the Sirui Vision Prime 1 150mm T4 1.5x Macro a Great Value Full-Frame Cine Lens? Let's Find Out.

The Vision Prime 1 (VP-1) series full frame cine lenses were originally launched by Sirui back in February 2025, with the first batch of lenses covering all the mid-range focal len...

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