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Come with me on a journey of many horror references. In 1922, a Swedish-Danish silent film came out called Häxan. It was almost educational in nature, like a very early version of...
There’s something about a great black and white photograph that makes you stop scrolling. No bright colors. No fancy filters. Just light, shadow, faces, textures, and a moment that...
If you had a camera that only shoots in black and white, would you be satisfied with it? Let’s talk about what such a camera can actually bring to the table. We all know that, from...
There’s something almost magical about a great black and white photograph. Take away the colors, and suddenly, you start noticing everything else: the expression on someone’s face,...
Color can grab your attention, but black and white photography? That can stop you in your tracks. The Black and White Monovisions Photography Awards 2026 Winners prove just how muc...
The post Streaming appeared first on Film Advance.
Lawrie Brewster's black-and-white supernatural noir opens a UK cinema run on October 30, with Laurence R. Harvey and Megan Tremethick. The post ‘Black Chariot’ Trailer Hunts in Bla...
Stanley Kubrick's ascent into being one of the most respected directors of all time is kind of wild when you realize he used film noir to get there. Before he was a household name,...
Certain photographs have no need for colour in order to attract you. All you have to do is add a bit of light, a human face, a peaceful street, or a fleeting moment from everyday l...
Being in the dark is scary, especially when you're alone. Even better if you're in an unfamiliar space and you hear a rustle in the night. Your imagination fills in the details of...
Wildlife photography already has a way of stopping you in your tracks. Strip away the color, though, and suddenly the story hits different. Shadows become mood, textures become dra...
There’s something almost magical about seeing nature without color. Strip away the greens, blues, and golden sunsets, and suddenly the landscape starts speaking a different languag...
For decades, filmmakers have been asking the wrong question.Is 35mm more cinematic than digital? Is 70mm worth the expense? Should we shoot open gate?For me, these debates all over...
Panavision and Warner Bros. have posted up a BTS video from Digger where director Alejandro G. Iñárritu and Tom Cruise talk about the work of cinematographer Emmanuel “Chivo” Lubez...
Day-for-night is one of cinema’s magic tricks: shoot a scene in broad daylight, and make it look as if it is the middle of the night. It is also one of the hardest. Sounds simple o...
Okay, we know it’s practically a joke by now that directors have their whole thing about, “You’ve got a camera in your pocket! Your phone is high-quality!” It's something directors...
Dark Cinematic Tattoo brings together the language of classic horror cinema with the expressive power of black and grey tattooing. Inspired by the dark, visionary atmospheres of Fr...
In an era dominated by visual effects and digital imagery, cinematographer David Kruta prefers to tackle the challenge of making everything feel real. For Orion, a psychological sc...
Lance Oppenheim breaks down how a colonoscopy camera, clips of early aughts TV, a leaked cam-scan of "Die My Love," and Chris Hansen’s manufactured reality inspired the insane cine...
We've been going a little crazy with all the westerns lately, and for good reason. It's one of those versatile genres out there. Most people think it's all horses, guns, and sweepi...
Shooting film is one thing. Developing and scanning it yourself, hundreds of miles from home, inside a van with blackout blinds and a couple of red lights, is a different level of...
emerald vysions takes visual cues from films across different eras and genres, translating their distinctive palettes and moods into eye looks. The post film stills leave the scree...
Back in the early days of Hollywood, the Western was the most popular genre. It was a safe bet for making money, but it also became a place where directors and cinematographers cou...
Filmmaker/photographer Michael Blackshire, age 32, has made a documentary about pioneering Black photographers in Chicago, now in their eighties. [Read More]
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