Screenwriting 101: Andrew Marlowe
“Sometimes you’ll get a note, ‘This scene is boring, can we put in a car chase?’ What you should take from that note is this scene, this quiet scene you intended to be emotionally...
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“Sometimes you’ll get a note, ‘This scene is boring, can we put in a car chase?’ What you should take from that note is this scene, this quiet scene you intended to be emotionally...
What changes when you take off your writer hat and put on your director hat? In this compendium episode, John, Craig, and Scriptnotes coordinator Lauren Loesberg review directing a...
Hundreds of observations about the craft from professional screenwriters.Abrams, J.J.: “The idea that this world we know isn’t just this world we know but that a package might arr...
John and Craig welcome a long-awaited guest: Andrew Stanton, writer-director behind many beloved Pixar films including Finding Nemo, Monsters, Inc., WALL-E, and the Toy Story franc...
“There's not a single battle a writer can win on a conference call, a notes meeting, anything. We win the battle on the page.”--Justin MarksFor 100s more articles in the Screenwrit...
Today, we welcome longtime fantasy guest, Aaron Sorkin (A Few Good Men, The West Wing, The Social Network) to talk through his writing process and tease his upcoming film, The Soci...
Think of this as a crash course in general meetings. In this compendium, John, Craig and Scriptnotes intern, Lauren, mine previous episodes for advice on the bewildering “general.”...
Novelists and screenwriters often fight the same battles, even though their end products differ.Whatever you’re writing, you’ll want a premise that’s easy to pitch with a catchy ho...
“Every scene has to be doing something. It has to be moving the story along, peeling off a layer of the onion so to speak. The goal in its…
Since the dawn of storytelling, there have been archetypes. What aspects of archetypes are actually useful for writers? And how do we move beyond tropes to create complex character...
"There are three different drafts of a screenplay in the development process. The first screenplay is for the studio, when they say, 'Okay, we like this.'The second screenplay you...
Every screenwriter has had a moment like this.You're watching something on a streamer or on YouTube, and you think, This is kind of mediocre. Maybe you're not even trying to be mea...
“Every scene has to be doing something. It has to be moving the story along, peeling off a layer of the onion so to speak. The goal in its…Continue reading on Go Into The Story »
“Sometimes you’re swinging your way through a first draft like a blind miner with a pick-axe. That’s OK. Get it done, nothing else…
If you've ever written a script, you know what it's like to inhabit a world and its characters. You've basically lived inside the pages. You know every character's backstory, the w...
Once upon a time, Twitter was a perfect social medium for screenwriters. To waste time, of course, but the impulse to dash off a thought here or there was pretty common to writers...
"The spec script gives you freedom to do whatever you want."Back when Twitter was fun, screenwriters would sometimes string together a series of tweets - what came to be known as "...
“There is always a sheet of paper. There is always a pen. There is always a way out.”
Earlier this week, we covered how the late, great Sir Sean Connery passed on several prominent projects because he didn't "get" them. Like, he didn't understand The Lord of the Rin...
The year was 2011. We had Occupy Wall Street, Hangover II, 50 Shades of Grey… and a podcast named Scriptnotes. On this episode, John and Craig celebrate their podcast Quinceañera,...
A Go Into The Story eBook... and it's free!Recently, I floated the possibility in social media that I might aggregate the 2,500+ spec script deals I had tracked since 1991 into a r...
“Sometimes you’re swinging your way through a first draft like a blind miner with a pick-axe. That’s OK. Get it done, nothing else…Continue reading on Go Into The Story »
“There is always a sheet of paper. There is always a pen. There is always a way out.”Continue reading on Go Into The Story »
The Business of Screenwriting is a series of Go Into The Story articles based upon my experiences as a complete Hollywood outsider who sold a spec script for a lot of money, parlay...
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