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variety.com /4 days ago

Roger Deakins on Instinct, Experience and Not Knowing What Is a Cinematographer: ‘I Still Can’t Answer That’

Walking through Turin with his wife and creative partner James Ellis Deakins, Roger Deakins found himself thinking about Giorgio de Chirico. The Italian painter, one of his favorit...

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nofilmschool.com /1 month ago

Roger Deakins Emphasizes Invisible Cinematography

There is something so sumptuous about the images Roger Deakins puts on the screen. He's collaborated with some of the best directors of all time, getting his vision onto the big sc...

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newsshooter.com /1 week ago

Filming Digger in VistaVision

Panavision and Warner Bros. have posted up a BTS video from Digger where director Alejandro G. Iñárritu and Tom Cruise talk about the work of cinematographer Emmanuel “Chivo” Lubez...

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nofilmschool.com /1 month ago

Greig Fraser's 5 Rules for Aspiring DPs

Earlier this year, Oscar-winning DP Greig Fraser shared some time with Kevin McCarthy on the On Film… With Kevin McCarthy podcast to unpack Project Hail Mary, but talked about ever...

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filmfare.com /2 weeks ago

Digger: Alejandro G. IÐ“Â±Ð“ÐŽrritu explains why he shot Tom Cruise starrer entirely in VistaVision

Tom CruiseÐ²Ð‚â„¢s Digger was shot entirely in VistaVision. Continue reading ...

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filmfare.com /2 weeks ago

Digger: Alejandro G. IÐ“Â±Ð“ÐŽrritu explains why he shot Tom Cruise starrer entirely in VistaVision

Tom CruiseÐ²Ð‚â„¢s Digger was shot entirely in VistaVision. Continue reading ...

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nofilmschool.com /2 weeks ago

How Greig Fraser Brought ‘Project Hail Mary’ to Life: Cameras, Aspect Ratios, and In-Camera Magic

One of the movies I find myself constantly rewatching is Project Hail Mary. I feel like it perfectly adapted Andy Weir's amazing book and brought it to life on the big screen.Direc...

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nofilmschool.com /1 week ago

DP David Kruta on Lensing Deceit and Brutalism in 'Orion'

In an era dominated by visual effects and digital imagery, cinematographer David Kruta prefers to tackle the challenge of making everything feel real. For Orion, a psychological sc...

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artofvfx.com /2 days ago

Coyote vs. Acme: Alexander Seaman (VFX Supervisor) and Keith Roberts (Animation Director) – DNEG

Back in 2022, Alexander Seaman shared insights into DNEG’s visual effects work on The Adam Project. He has since worked on Brahmastra Part One: Shiva, Here, and Dutton Ranch. In 20...

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nofilmschool.com /3 days ago

You Probably Don't Know Enough About This Influential Production Designer

Hardcore cinephiles are in the middle of one of the most important weeks of film ever right now, with the 4K theatrical re-release of Ken Russell's highly controversial historical...

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awn.com /2 weeks ago

Paul Debevec to Keynote Digital Storytelling's 20th Anniversary in Oslo

The Netflix research fellow's image-based lighting talk anchors the October 9 program at Cinemateket that also features Framestore's Stuart Penn on 'Project Hail Mary,' Espen Norda...

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artofvfx.com /3 weeks ago

Spider-Man: Brand New Day: Robert Winter – VFX Supervisor – Framestore

In 2022, Robert Winter took us behind the scenes of Framestore’s visual effects work on Moonfall. He later joined the Rebel Moon saga. Today, he returns to discuss his fourth Spide...

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nofilmschool.com /1 week ago

Camera Operating for David Fincher—40 Takes and No Pans

David Fincher is one of the most exacting directors working today, demanding hundreds of takes from his cast and crew to get a version of his vision that's as close to perfection a...

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indiewire.com /1 month ago

Ridley Scott Casts His Crews as Carefully as His Movies So That He ‘Can Just Play Tennis’

Scott and several of his department heads tell IndieWire about their ongoing collaboration and their work together on the director's latest film, "The Dog Stars."

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nofilmschool.com /1 month ago

Ridley Scott Says Stop Blaming Your Gear for Bad Cinematography

Sir Rildey Scott is nearing 90 years old and still directing movies in his own way. The director, who is never short of opinions, In an interview published by filmmaker Patrick Tom...

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