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When it comes to Tri-X, I’ve always seen this film as having a wide latitude. I have since learned that the new formulation, 400TX, first released in 2007, isn’t as good as the pre...
With this week’s Film Friday we are hitting the highest point on the Cinestill triangle so to speak. Today we are taking a look at Cinestill 800T, arguably their flagship film and...
Kodak Direct Positive Panchromatic Safety Film, or Kodak DPPSF, is probably the oldest film that I have ever taken in for review. Kodak DFFPSF is one of the many motion picture fil...
Welcome back to Film Friday. We’re featuring one of our heavy hitters this week with Kodak’s Ektar 100. Alongside the Portra films, Ektar is one of the most popular films on the ma...
We stated in our Film Friday review of Kodak Portra 400 (and again in our Portra 800 write up) that it is pretty much a perfect color film, so you’ll hopefully understand and forgi...
Today’s Film Friday takes a look at a blast from the past: Kodak ColorPlus 200. This all-purpose film is one of the most affordable color negative films available for loading into...
After seeing the results I got out of Kodak TMax 100, I had high hopes for Delta 100. Delta 100, being a modern emulsion, is a good film stock: sharp, lots of contrast, and some de...
Welcome to another Film Friday spotlight! This time we’re turning our attention to a film that is simultaneously quite popular but still somehow underappreciated: Kodak Gold 200. [...
Welcome to another Film Friday review, where we like to dig into a particular film emulsion, lay out a bit of its history, share our personal experiences with it and provide some i...
There is a certain clique of photographic films, let’s call it the “Sub-100 Club.” This is a group of films who flaunt ultra low ISO ratings below 100. [Read More]
This film can look very different, depending on how or what you develop it with. I spent six years and countless rolls with this emulsion as a go-to. In this in-depth review, I sha...
Ilford Delta 100 is a high-resolution medium-speed black-and-white film that features tabular grain in its emulsion (a Core-Shell™ technology). Launched in 1992, it was the respons...
Toronto. When film/plates were the way to go, ISO (ASA) ratings on the media were so slow professionals and advanced amateurs used studio lights (or flash) to soften shadows and al...
Eastman Kodak's film distribution resurgence continues. The legendary Rochester-based Eastman Kodak and United Kingdom-based Dupli have announced that Dupli is now the official UK...
Fujifilm Fujicolor 100 is made in Japan — but this film is not available anywhere else in the world, unless you’re willing to import it. This is not a respool of any Kodak film: i...
After I got into the Nikon autofocus system, I started looking at cameras that were better than my Nikon F80. Don’t get me wrong, the Nikon F80 was the right camera for me at the t...
One of our staff members used to joke that combining a Holga with a red filter and a roll of Ilford SFX was like shooting fish in a barrel: you couldn't miss. While that sentiment...
FilmConvert has finally introduced a new Camera Pack for the RED V-RAPTOR. Using FilmConvert Nitrate and CineMatch plug-ins, it should now be easier to grade and match footage shot...
Ilford Photo has unveiled a new limited-edition black-and-white film, Ilford Delta 400 Professional Collector's Edition. [Read More]
The ColorChecker, the 24-patch color reference chart that has sat in front of film cameras, digital cinema cameras, and lab test rigs since 1976, is turning 50. Calibrite, which ha...
ARRI Film Lab 1.5 adds 8mm, 16mm, and 65mm looks, anamorphic grain, and ACES 2.0 support.
ARRI has released Film Lab 1.5, a major update to its OpenFX plugin that brings the look of analog film to digital images. The new version adds 8mm, 16mm and 65mm film formats, ana...
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