How the DP of 'Widow's Bay' Subverts the Look of Horror/Comedy
Christian Sprenger, ASC, is a two-time Emmy winner for his work on Atlanta ("Teddy Perkins," "Three Slaps") and a decade-long collaborator with director Hiro Murai. (He also shot a...
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Christian Sprenger, ASC, is a two-time Emmy winner for his work on Atlanta ("Teddy Perkins," "Three Slaps") and a decade-long collaborator with director Hiro Murai. (He also shot a...
It would be hard to name any films better than Singin' in the Rain (1952). The movie is just this wondrous ride through classic Hollywood that is also a masterclass in musical chor...
Cinematographer Adam Bricker tells IndieWire about the joys of getting to always have Paris, and also five seasons of an HBO series.
Cinematographer James Laxton tells IndieWire about expanding the visual scope of 'Beef' and the shot that brings all the characters together.
What happens when you mix I Love You Man with Weird Science, shoot it entirely on a pocket-sized gimbal camera, and drop it into the ultra-fast-paced world of short-form vertical v...
You're having a laugh.
In this week’s newsletter: As studios chase safer bets and streamers fail to deliver, the humble standalone comedy has been replaced by blockbusters that sprinkle jokes instead of...
These new comedies don’t care if you’re offended. And they disprove the idea that new movies are afraid to be The post 12 New Comedies That Just Don’t Care If You’re Offended appea...
The original post for this episode can be found here. John August: Hello, and welcome. My name is John August, and this is episode 733 of Scriptnotes. It’s a podcast about screenwr...
"The Roast of Kevin Hart," a tentpole event of Netflix's comedy festival, and an Emmys-eligible variety special, was an exemplified the trickiness behind Netflix presenting itself...
Veterans of the CBS show's camera team explain how they work behind the lens to turn a reality competition into cinematic filmmaking.
There is a specific, unsettling sensation that only a SnorriCam can evoke. As the world around a character trembles, swirls, and blurs, their face remains uncannily still – locked...
Make 'em laugh? Both Foxtel and ABC are hungry for more scripted comedy.
BriTANicK's Brian McElhaney and Nick Kocher tell IndieWire about making their feature debut with a visually inventive Hulu comedy that elevates low comedy to high art.
Get ready for some grim laughs.
Street photography hits different when humor shows up uninvited. It’s not staged, not forced, it’s that split-second magic where timing, instinct, and pure luck collide. And honest...
Apple TV’s "Widow’s Bay," the eerie horror-comedy series created by Katie Dippold and starring Matthew Rhys, has captivated audiences… The post Behind the Lens: The cutting-edge ca...
Writer/performer Josh Johnson and director Jacob Menache tell IndieWire about the HBO comedy special they've had in the locker for a long time.
Comedy mates all muck in for Ed Kavalee's new feature film.
Nath Valvo and Geraldine Hickey host a star-studded special filmed at the Regent Theatre.
John welcomes five-time Emmy-winning writer Ali Barthwell (Last Week Tonight) to ask, can writers learn to be funny? Drawing from her time as a teacher at The Second City, they loo...
“Not every show needs to feel like an event,” Aaroosh Kohli says. “Some shows just need to feel like home.”
The actor and comedian tries his hand at captioning New Yorker cartoons.
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