The Secret Power of Close-Ups (and the 5 Types You Should Master)
The everyday viewer probably only notices cinematography when it's flashy, but the fundamentals carry the story.A recent video from StudioBinder Academy is built on Joseph V. Masce...
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The everyday viewer probably only notices cinematography when it's flashy, but the fundamentals carry the story.A recent video from StudioBinder Academy is built on Joseph V. Masce...
There is something so sumptuous about the images Roger Deakins puts on the screen. He's collaborated with some of the best directors of all time, getting his vision onto the big sc...
Panning is an integral part of sports and action photography, but mastering the technique can add interest and intrigue to many genres. I am going to break down the five things I c...
Sir Rildey Scott is nearing 90 years old and still directing movies in his own way. The director, who is never short of opinions, In an interview published by filmmaker Patrick Tom...
The quickest way to lose a cinematic point of view on a branded film is to treat the brief as a shot list. The client needs the facility, the product, the team, an interview and th...
If you get on a set and start to discuss shot ideas and camera set-ups with your DP, you might, in the moment, hear them say, "We can't do that. It crosses the line."Not some metap...
Given the option, most of us would probably jump at the opportunity to shoot something on film stock. There's just something about the color, the depth, the grain, the jitter that...
For the past couple of years, I've found myself reaching for film cameras more often. Not because they're better than digital—they’re not. For the analog look then? No, I believe y...
There is something almost rebellious about switching off the film lights. No towering HMIs. No glowing softboxes. No cables running across the floor. Just the world as it is: Sunli...
A lot of people associate point-of-view perspective solely with video games. Yet we filmmakers know it as one of the mighty narrative tools since the early days of cinema. It break...
I've been thinking lately that it had been a while since I filmed a short form project. As in, actually directed the story, actors, and visuals. Right on cue, my buddy and amazing...
In The Isolate Thief, Ada Horn (Mackenzie Foy) is stranded at a snowbound Union Army outpost in Oregon after her father dies. She stumbles on a stash of stolen gold and decides to...
Blocking is one of those invisible and maybe not-as-glamorous aspects of filmmaking. It's the choreography of where your actors stand, if and when they move, and how the camera fra...
On a film set, the grips are the reason the world goes around.A grip in film is a crew member responsible for setting up, adjusting, and maintaining all non-electrical gear on set....
Discover the best beginner cameras for talking head videos—plus how to streamline your post-production editing workflow fast!
The visual is cultivated through visions. It may seem like an oxymoron, but we often tend to overlook the importance of nurturing our ability to see. The perception of experience a...
Recently, I was asked to provide feedback on an unreleased product: a cocktail shaker from a well-known culinary brand. The company asked me to take it for a spin, make a few cockt...
Find the best budget cameras for beginner filmmakers under $1,200 plus AI video editing tips with FireCut.
Most landscape advice tells you to pack up when the sun climbs high and the shadows turn hard, yet some of the strongest work happens in exactly those conditions. Learning to read...
The advice that stuck with a photographer after 40 years behind the camera has nothing to do with gear or settings. It comes down to a simple rule about what you look at when you'r...
Light shapes every landscape photo you take, whether the sun is blazing or hidden behind heavy cloud. Getting a handle on how it falls on your subject is the difference between a f...
There’s a very specific kind of red-orange glow you’ve probably seen a hundred times. A photographic effect where bright light bleeds past its edges – off a neon sign, or a street...
For decades, filmmakers have been asking the wrong question.Is 35mm more cinematic than digital? Is 70mm worth the expense? Should we shoot open gate?For me, these debates all over...
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