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The everyday viewer probably only notices cinematography when it's flashy, but the fundamentals carry the story.A recent video from StudioBinder Academy is built on Joseph V. Masce...
There is something so sumptuous about the images Roger Deakins puts on the screen. He's collaborated with some of the best directors of all time, getting his vision onto the big sc...
Sir Rildey Scott is nearing 90 years old and still directing movies in his own way. The director, who is never short of opinions, In an interview published by filmmaker Patrick Tom...
If you get on a set and start to discuss shot ideas and camera set-ups with your DP, you might, in the moment, hear them say, "We can't do that. It crosses the line."Not some metap...
The quickest way to lose a cinematic point of view on a branded film is to treat the brief as a shot list. The client needs the facility, the product, the team, an interview and th...
Given the option, most of us would probably jump at the opportunity to shoot something on film stock. There's just something about the color, the depth, the grain, the jitter that...
In The Isolate Thief, Ada Horn (Mackenzie Foy) is stranded at a snowbound Union Army outpost in Oregon after her father dies. She stumbles on a stash of stolen gold and decides to...
There is something almost rebellious about switching off the film lights. No towering HMIs. No glowing softboxes. No cables running across the floor. Just the world as it is: Sunli...
Avery Dohrmann is a filmmaker who wrote for us back in 2023 about making his debut feature, Our Final Days in Paradise, at 20. He's back with a video essay on visual literacy, and...
Blocking is one of those invisible and maybe not-as-glamorous aspects of filmmaking. It's the choreography of where your actors stand, if and when they move, and how the camera fra...
Martin Scorsese has made some of the most meticulously composed images in American movies. I mean, have you seen the Copa tracking shot? What about the stark black-and-white drama...
For decades, filmmakers have been asking the wrong question.Is 35mm more cinematic than digital? Is 70mm worth the expense? Should we shoot open gate?For me, these debates all over...
I've been thinking lately that it had been a while since I filmed a short form project. As in, actually directed the story, actors, and visuals. Right on cue, my buddy and amazing...
The visual is cultivated through visions. It may seem like an oxymoron, but we often tend to overlook the importance of nurturing our ability to see. The perception of experience a...
A lot of people associate point-of-view perspective solely with video games. Yet we filmmakers know it as one of the mighty narrative tools since the early days of cinema. It break...
Gustav Danielsson, FSF, earned an Emmy nomination for his work on the stunning "In the Name of the Mother," the fifth episode of HBO's A Knight of the Seven Kingdoms. The episode f...
We know that, to many, it might not be the most glamorous job in the world, but if you're interested in filmmaking, cinematography, and generally enjoy working with lighting, riggi...
Discover the best beginner cameras for talking head videos—plus how to streamline your post-production editing workflow fast!
Eyelines are one of those invisible elements of filmmaking. When they work, you don't notice them at all. When they don't… whew, it's bad, and it's obvious. If you have a scene whe...
Film color palettes might be one of the most underutilized parts of your filmmaking process. It can be the difference between immersing your audience in a world or boring them to t...
Recently, I was asked to provide feedback on an unreleased product: a cocktail shaker from a well-known culinary brand. The company asked me to take it for a spin, make a few cockt...
There’s a very specific kind of red-orange glow you’ve probably seen a hundred times. A photographic effect where bright light bleeds past its edges – off a neon sign, or a street...
On a film set, the grips are the reason the world goes around.A grip in film is a crew member responsible for setting up, adjusting, and maintaining all non-electrical gear on set....
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