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Night shoots. Sometimes the idea alone is enough to cause a panic attack in a filmmaker. They're hard, they take a lot of time, and they create unique challenges for your cinematog...
When you're deep in a screenplay draft, it's easy to obsess over dialogue and structure and forget entirely about how your scenes might be lit. That's a production concern, right?...
The everyday viewer probably only notices cinematography when it's flashy, but the fundamentals carry the story.A recent video from StudioBinder Academy is built on Joseph V. Masce...
One Battle After Another, Paul Thomas Anderson's action drama, shot by cinematographer Michael Bauman in VistaVision, is one of the best-looking films in recent memory. We've writt...
Think of one of your favorite films. How does it handle its locations? How does the film give you an idea of the world its characters inhabit? Maybe a big sweeping crane shot? A lo...
"Cinematic" has become one of those words that gets thrown around so much that it almost loses meaning. But for content creators, it's a legit goal to set your stuff apart. It migh...
High production value is one of those things we're all probably striving for, but it can be elusive. When we say that, you probably think that the story feels real and everything l...
I'm always trying to absorb as much cinematography knowledge as I can. When I get on set, I want to know what the heck the DP and gaffer are talking about. If I'm directing, I don'...
You know that I'm always going to seek out the horror films on a festival schedule, which I was so delighted to see Recluse during the Tribeca Film Festival this year. The gothic c...
If your editor dreads getting your footage, that's a problem. So, this is for you. Jesse Senko is a photographer and director with a background in advertising. He's had years of co...
Julia Swain arrived at her first major studio feature with indie superpowers at the ready. The cinematographer is an ASC Rising Star who helmed the camera on Leah McKendrick's inti...
Choosing between objective and subjective camera coverage is one of the most consequential decisions you make when planning a scene. The difference between showing an audience what...
Cinematographers from “Love Story,” “The Chair Company,” “The Testaments,” “Star Trek: Starfleet Academy,” and “Shrinking” convened to discuss their process at IndieWire's Craft Ro...
Look, it should go without saying, but we watch a lot of director interviews, MasterClasses, and film commentary around here. Because that's a huge way to learn this difficult art...
Film photography has a way of humbling you fast. You shoot a roll, wait days to see the results, and get back something flat, muddy, or just... off. This helpful video lays out thr...
Martin Scorsese has made some of the most meticulously composed images in American movies. I mean, have you seen the Copa tracking shot? What about the stark black-and-white drama...
It would be hard to name any films better than Singin' in the Rain (1952). The movie is just this wondrous ride through classic Hollywood that is also a masterclass in musical chor...
Wade Patterson is a cinematographer, writer, and producer who recently shared his experience making shorts and features with Film Courage. His projects include Death Cipher and the...
Camera movements play a crucial role in shaping the visual language of a film, guiding how viewers experience and interpret a story. In his breakdown, Dan Kieft examines a range of...
In a 2017 talk with the International Documentary Association, the incomparable Werner Herzog said something that will probably make every filmmaker wince a little. Young filmmaker...
Filming fireworks is harder than photographing them: low light, moving crowds and split-second timing are all issues. Here's how to get steady, well-exposed footage this Fourth of...
Shooting cars at night in a city like Hong Kong is a different challenge than a controlled studio setup or a daytime location shoot. You're working with mixed artificial light, hea...
While the film and video landscape is, of course, always changing, evolving, and turning over, it is a bit rare for one brand to venture outside of its comfort zone as much as GoPr...
Christian Sprenger, ASC, is a two-time Emmy winner for his work on Atlanta ("Teddy Perkins," "Three Slaps") and a decade-long collaborator with director Hiro Murai. (He also shot a...
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