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In this collection, you’ll find the best cinematic Lightroom presets for achieving that iconic Hollywood look. Inspired by film color grading techniques, these Lightroom presets en...
Film photography's nostalgic warmth and character continue to captivate photographers working in the digital realm. Creating authentic film looks requires understanding how vintage...
Beyond high resolution, video trends are shifting toward mood and emotional storytelling. Samsung Electronics debuted the Advanced Professional Video (APV) codec on Galaxy S26 Ultr...
Inspired by Kodak’s new VERITA 200D motion picture film stock, this Verita 200D film recipe for Fujifilm cameras delivers warm cinematic colors, rich contrast, and a nostalgic retr...
ERIC KIM UNLEASHES EK MONO HC 33: A HIGH-CONTRAST MONOCHROME LUT FOR THE LUMIX S9 LOS ANGELES — May 21, 2026 — ERIC KIM announces EK MONO HC 33, a savage high-contrast black-and-wh...
Color grading transforms ordinary photos into cinematic masterpieces by adding mood and visual depth. The Camera Raw filter built into Photoshop provides professional-level color g...
DaVinci Resolve 21 recently introduced a dedicated Photo interface that allows users to process photographs using scene-referred grading, cinema-style color tools, and advanced fil...
Monochromatic color palettes are very useful tools for filmmakers. The color scheme - which involves an image feeling harmonious because it is built from various lighter and darker...
Elevate.io has added Color Wheels, Input LUT support for log footage, timeline In/Out points, and Quick Animations to its browser-based video editor.
If you're cutting for film, color has always been something you manage with the finish in mind. You temp in the edit, but you know a proper grade is coming later. That usually mean...
Most of us know that shooting in a flat log picture profile will give you the highest quality video footage but the workflow has always been too difficult to deal with. I've create...
The classic analog film look delivers warmth, character, and nostalgia in every frame. In this collection, you’ll find analog film Lightroom presets designed to give your digital...
It’s always nice to see more options in the crowded, but always in need of innovation, lens filter market. And that’s what we’re getting with this new Tilta Illusion Magnetic Filte...
Most color problems don’t start in the grade—they start in how the project is set up. Mixed color spaces, hidden transforms, and assumptions about how footage should behave all add...
Adobe's new Color Mode for Premiere Pro puts professional grading firmly inside the edit with powerful reimagined tools designed specifically for editors.
Tilta's new Illusion Magnetic Filter Ultimate Kit combines a circular polarizer, variable ND, and Black Mist 1/4 diffusion in a stackable magnetic system for 77 mm and 82 mm lenses...
When you're deep in a screenplay draft, it's easy to obsess over dialogue and structure and forget entirely about how your scenes might be lit. That's a production concern, right?...
For all of those iPhone filmmakers out there looking to be the next Sean Baker, or—you know—just trying to get their content creation work done with their smartphone, this new vide...
"Cinematic" has become one of those words that gets thrown around so much that it almost loses meaning. But for content creators, it's a legit goal to set your stuff apart. It migh...
The best cinematic CS2 skins do not just look expensive. They look like they belong to a scene, a character, or a... The post The Most Cinematic CS2 Skins Ever Designed first appea...
Built on the same Virtual Lens Technology released by Zeiss last year, this new CinCraft LensCore is a new Nuke plugin that aims to utilize decades of the company’s optical experti...
Kodak announces Veritas 200D, born from “Euphoria” cinematographer Marcell Rév’s desire for a more classical Hollywood rendition of colors and skin tones.
ZEISS' new CinCraft LensCore plugin launches June 1 and uses GPU-accelerated ray tracing to bring real lens physics such as bokeh, distortion, and vignetting into Nuke compositing.
We don't use words such as game-changing lightly, but Adobe's three year examination and invention of color grading for editors really does move the goalposts, and the live demo sh...
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