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Canon has announced the CINE-SERVO 40-1200mm T5.0-10.8, a new ultra-telephoto cine-servo zoom lens.
Building on the legacy of the CINE-SERVO 50-1000mm T5.0-8.9, the new CINE-SERVO 40-1200mm T5.0-10.8 offers an expanded zoom range while maintaining the lightweight, compact design...
Canon has just introduced a zoom lens with one of the broadest reaches on the market: the CINE-SERVO 40-1200mm T5.0-10.8. This lens covers S35 image sensors natively. It’ll be avai...
Canon has unveiled the Cine-Servo 40-1200mm T5.0-10.8 lens, a new version of the company's extremely popular Cine-Servo 50-1000mm T5.0-8.9 lens. [Read More]
ARRI has unveiled the cforce MAX, a brushless lens motor that directly replaces the long-serving cforce plus while delivering twice the speed, the same 1.0 Nm of peak torque, a 15%...
At NAB 2026 in Las Vegas, we stopped by the Accsoon booth to check in with Effy Ding on the CineView SE 4K, the company’s latest compact dual-band wireless video transmission syste...
ARRI introduces the cforce MAX lens motor, offering faster performance, compact design, and new features for what the company says is an enhanced focus pulling experience.
ARRI has unveiled a new cforce MAX lens motor that brings increased speed and responsiveness to the Hi-5 ecosystem. It is faster, smaller, and lighter than the cforce plus motor it...
Canon has announced upcoming firmware updates for the C400, C80, C70, C50, and R5C Cinema EOS Cameras, with a suite designed to enhance workflow consistency and image quality acros...
Canon has just announced a series of upcoming firmware updates for most of their Cinema EOS cameras, including the EOS C400, C80, C70, C50, and R5C. These updates will introduce ne...
Accsoon has announced the CineView Master 4K Lite, a dual-band wireless video transmission system that delivers end-to-end DCI 4K60 over its proprietary RTMS 4.0 protocol, with sub...
ZEISS will be showing its ten-focal-length Panoptes 65 large-format prime set at Cine Gear Expo LA next week and has released new details on what looks to be some very classy glass...
SIRUI has expanded its Vision Prime 1 (VP1) full-frame cine lens lineup at NAB 2026 with three new focal lengths: a 15mm T1.6 wide-angle, a 75mm T1.4, and a 150mm T4 macro with 1.5...
The new Blackmagic URSA Cine 12K LF 100G adds 100G Ethernet and high-frame-rate SMPTE-2110 output to the existing URSA Cine 12K LF platform, targeting live broadcast production alo...
The Angénieux OPTIMO ULTRA 12X65 was designed and optimized for the next generation of 65 format cameras. It features a massive 46-556mm focal range, a constant T5.6 aperture, and...
Accsoon has announced the CineView Master 4K Lite, which features RTMS 4.0 Dual-Band wireless transmission. It is a wireless video transmission, monitoring, and live streaming syst...
BOSMA's VEGA H2 packs a full-frame 6K sensor, built-in variable ND, and a patented orientation-switching system into a modular $4,999 body aimed at solo documentary and content cre...
ZEISS is making its definitive push into 65mm cinematography with the Panoptes 65, a set of ten primes engineered specifically for large-format cameras such as the ARRI ALEXA 265,...
Blackmagic Design has used its pre-NAB 2026 announcement window to unveil a sweeping lineup of products built around a single thesis: 100G Ethernet and SMPTE-2110 are the backbone...
Remember the massive virtual studio setups of old? (Ten or fifteen years ago, because that’s how fast we’re going) How did integrating live graphics into a broadcast feel like laun...
Sony has unveiled the FE 100-400mm F4.5 GM OSS, a G Master telephoto zoom built around a constant F4.5 aperture across the entire focal range, an internal zoom design, and four XD...
At NAB 2026, Kinefinity is teasing the Vista, a compact full-frame 6K cinema camera with open gate recording, a built-in 240GB SSD, a 4-inch OLED touchscreen, and a Tilta-developed...
Sony's new R Series refreshes five broadcast system cameras with better dynamic range and SDI flexibility, though the headline features don't land until a December firmware update.
At NAB 2026, OBSBOT centered its booth around the Tail 2, the company’s flagship PTZR camera that physically rotates its lens 90° to switch between landscape and vertical 4K withou...
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