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NOW IN THEATERS! With Mockbuster, writer-director Anthony Frith and co-writer Sandy Cameron have crafted for a new generation the 21st-century equivalent of Chris... The post Mockb...
In the early 1990s, a sudden, violent cultural shift occurred that left an entire industry looking like fossils overnight. For a decade,... The post Garage Bands Vs. Zombies: Holly...
Growing up, I was always the quiet kid in the back, doodling in a notebook. In 6th grade, instead of a yearbook, my classmates signed my sketchbook, filled with characters I create...
Motion Pictures about making films can seem like a lazy way to do story. However, Int. Hallway/Night, as the title goes, embraces... The post Int. Hallway/Night first appeared on...
Obsession has grossed over $290 million worldwide on a budget somewhere between $750,000 and $1 million. Its driving scenes look like something shot on a major studio stage. They w...
In a conservative religious compound in the Southeast, a young Daril Fannin was told that television was the Devil’s tool—that Satan would... The post Indie Film Economics 101: Why...
Hollywood has spent years operating under a fairly simple assumption: Bigger is better. Bigger budgets. Bigger stars. Bigger special effects. Bigger franchises. In fact, if a studi...
If you’re an indie filmmaker sitting at home editing a short or working on your YouTube channel, you may feel quite alone. Or you may be worried that no one will ever find your stu...
In this episode of the No Film School Podcast, GG Hawkins is joined by filmmaker Joe Burke and actor-writer-producer Oliver Cooper to discuss the making and release of Burt, a blac...
Low-budget horror movies aren't for everyone. But it's difficult to ignore Obsession, which just raked in over $30 million in ticket sales over the Memorial Day weekend, taking it...
There's probably a reason so many of us love film art books or posters or even collectible figures and toys. We like to have something physical (beyond traditional physical media l...
This past weekend at the box office, we saw an indie horror movie and an A24 horror movie, i.e., both beat a Star Wars movie at the box office. Each of them was directed by a young...
High production value is one of those things we're all probably striving for, but it can be elusive. When we say that, you probably think that the story feels real and everything l...
Ask any indie filmmaker grinding through post-production right now, and they’ll tell you the exact same thing: money doesn’t buy The post The Micro-Budget Crisis: How to Create Big...
When people think about filmmaking, they often imagine cameras, actors, directors, and visually stunning productions. While these creative elements are essential, they... The post...
Peter Bart draws parallels between YouTube filmmakers like Curry Barker and Kane Parsons and the maverick directors of the 1960s. The post YouTube-Born Films ‘Obsession’ and ‘Backr...
One way to scare audiences in the horror genre is by turning the camera into a character itself. A famous example is the opening scene of Halloween (1978). The slow camera movement...
If you told me in seventh grade that the movie I just saw about street racers and hot chicks was going to span a franchise that would take me into my forties, I would have told you...
“Bulk” and “Meg 2” director Ben Wheatley thinks “it’s a great time to be a young filmmaker,” pointing to break-out, box-office phenomena like “Backrooms” and “Obsession” as proof t...
Supernatural horror Obsession has already made 330 times its $750 thousand budget, and is still ranking second place at the UK and Irish box office five weeks after its release.
There's this old saying that I think is really important to remember, and it goes something like "To be an overnight sensation in Hollywood, you usually have to work your ass off f...
Indie films are heating up in popularity these days. They have become a way to make money with low budgets. Discover monetization... The post How The Business Side Of Indie Cinema...
It’s a movie that, for whatever reason, scratches an itch we as humans have never known we’ve had, or—more likely—never been able to explain what it is and why it’s there.Backrooms...
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