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ARRI Film Lab 1.5 adds 8mm, 16mm, and 65mm looks, anamorphic grain, and ACES 2.0 support.
Flanders Scientific has put GaiaColor Analyzer into beta firmware for DM Series monitors. Pomfort Livegrade 7.2 also adds independent four-camera LUT control to XMP monitors.
ARRI is having a free live webinar called Exploring ARRICORE: A Visually Lossless RGB Codec that will be hosted by commercial DP Charles Bergquist, along with Picture Shop’s Superv...
ARRI has released Film Lab 1.5, a major update to its OpenFX plugin that brings the look of analog film to digital images. The new version adds 8mm, 16mm and 65mm film formats, ana...
ARRI has released Software Update Package (SUP) 3.6.6 for the Hi-5 and Hi-5 SX. New features include focus marks now being able to be handled by ALEXA 35 cameras and the ALEXA 265,...
EIZO's Christian Ohlig explains the CG3200X's redesigned ABL system, built to fix OLED's biggest HDR grading problem, and confirms new CS3200X pricing.
Desview has unveiled three new professional field monitors. The OL14 Pro, OL16 Max, and OL16 Ultra 12G are all built for professional video workflows and promise the features and p...
Filmverse Arsenal is Colorist Foundry’s signature end-to-end pipeline for high-end production. It features extensive negative and print stock libraries, custom DRT capabilities, an...
The new EIZO ColorEdge CG3200X is its first ColorEdge OLED monitor, a 31.5-inch 4K HDR display with a new ABL system and built-in calibration sensor.
Nearly a year ago, Arri, one of the biggest names in cinema, launched Film Lab. It's an OpenFX plugin for industry-standard video editing and color grading workflows that promises...
At IBC 2026, EIZO's Dan Emmett gave us tour of the ColorEdge range on the company's stand, focused on how the line handles HDR grading and, in particular, the challenges of bringin...
Joel Famularo has released his long-awaited Phantom LUTs for the Nikon ZR, bringing the ARRI Alexa emulation his packs are known for to Nikon’s compact cinema camera. The Gen 1 rel...
ARRI is bringing SMPTE ST 2110 support for the ALEXA 35 Live Multicam System. This opens the system up to fully IP-based broadcast studios, stadiums, high-end flypacks, and remote...
Blackmagic is starting to roll out support for its new Generation 6 Color Science, its first color science update since 2020. The latest Blackmagic Camera 10.3 also adds support fo...
While not a full step update (as in a version 1 to a version 2), this 1.5 version update for ARRI Film Lab is quite significant nonetheless.This major update to ARRI’s popular lice...
For a limited time, ARRI Australia is offering an extended warranty on new ALEXA 35 Xtreme Base and Premium camera packages. With this promotion, purchases now include 4 years of w...
Hollyland has folded its flagship wireless transmission technology into a monitor. The Pyro 7 Ultra pairs the 4K60, low-latency link that debuted on the Pyro Ultra with a factory-c...
Sigma is going wide and long with its popular Aizu large-format series of cinema prime lenses, adding three new options. All three new lenses continue the legacy of the previous ei...
Adobe's Jason Druss demos Premiere Beta's IBC 2026 update: three new Color Mode modules, one-click Auto Color, HSL masks and a Tangent Wave 2 partnership.
ILLUVISION has recently introduced the MAGNA 65-350mm T3.6, which is essentially a repurposed ARRI/FUJINON Alura 45-250mm T2.6 Studio Zoom with a built-in optical expander that upg...
Driftwood productions, ARRI EI Zone v2.0 is now a OFX plugin. The new version adds several new features and improvements over its predecessor. Version 2.0 rebuilds the ARRI EI Map...
At IBC2026, Godox is showing its 6K RGB MG6KR light, PaletteLab color fixtures, an inflatable soft-light mat and a 1.9 GHz intercom system for large crews.
Portkeys brought the LH5P III to IBC 2026, the third generation of its HDMI camera control monitor, now with a 5.7in touchscreen at an unusual 2160 x 1080 resolution, 2200 nits of...
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