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ARRI Film Lab 1.5 adds 8mm, 16mm, and 65mm looks, anamorphic grain, and ACES 2.0 support.
Nearly a year ago, Arri, one of the biggest names in cinema, launched Film Lab. It's an OpenFX plugin for industry-standard video editing and color grading workflows that promises...
ARRI has released Film Lab 1.5, a major update to its OpenFX plugin that brings the look of analog film to digital images. The new version adds 8mm, 16mm and 65mm film formats, ana...
While not a full step update (as in a version 1 to a version 2), this 1.5 version update for ARRI Film Lab is quite significant nonetheless.This major update to ARRI’s popular lice...
Filmverse Arsenal is Colorist Foundry’s signature end-to-end pipeline for high-end production. It features extensive negative and print stock libraries, custom DRT capabilities, an...
Joel Famularo has released his long-awaited Phantom LUTs for the Nikon ZR, bringing the ARRI Alexa emulation his packs are known for to Nikon’s compact cinema camera. The Gen 1 rel...
HAL Picture is turning its two look development plugins into a family. At IBC 2026, we spoke to co-founder Olivier Patron and engineer Antoine about Dia Squared, a single plugin th...
ARRI is having a free live webinar called Exploring ARRICORE: A Visually Lossless RGB Codec that will be hosted by commercial DP Charles Bergquist, along with Picture Shop’s Superv...
Driftwood productions, ARRI EI Zone v2.0 is now a OFX plugin. The new version adds several new features and improvements over its predecessor. Version 2.0 rebuilds the ARRI EI Map...
ARRI has released Software Update Package (SUP) 3.6.6 for the Hi-5 and Hi-5 SX. New features include focus marks now being able to be handled by ALEXA 35 cameras and the ALEXA 265,...
Alongside notable updates to its ALEXA 35mm and 65mm camera range, ARRI has announced an important Software Update Package (SUP) for its Live Production Monitor.The ARRI LPM-1 is g...
ARRI has announced the LPM-1 Software Update Package SUP 1.0.0, which improves the overall user experience and introduces safeguards to power management in situations where the mon...
ARRI is bringing SMPTE ST 2110 support for the ALEXA 35 Live Multicam System. This opens the system up to fully IP-based broadcast studios, stadiums, high-end flypacks, and remote...
The Cinelux Reduxa A1 is the first focal reducer system for the ARRI Alexa Classic, XT and SXT. I previously featured it on the site, when it was still very much in the prototype s...
Flanders Scientific has put GaiaColor Analyzer into beta firmware for DM Series monitors. Pomfort Livegrade 7.2 also adds independent four-camera LUT control to XMP monitors.
Honor partnered with German camera maker ARRI and has been really leaning into the cinematography connection to build buzz for the upcoming Magic9 series. For example, the Honor Ma...
Big news for high-end filmmakers and cinematographers as ARRI has unveiled a notable new Software Update Package (SUP) that adds new features and capabilities to its full range of...
ARRI has released Software Update Package SUP 6.2.0 for the ALEXA 35, ALEXA 35 Xtreme, ALEXA 35 Live, ALEXA 35 Live Xtreme, and ALEXA 265. The main features of this release are the...
Adobe's Jason Druss demos Premiere Beta's IBC 2026 update: three new Color Mode modules, one-click Auto Color, HSL masks and a Tangent Wave 2 partnership.
Divecut is a new offline footage-review app for macOS and iPadOS. It shows Log footage in correct Rec.709 color without touching the original files. It reads each clip’s metadata,...
ARRI has released Software Update Package 6.2.0 for the ALEXA 35, ALEXA 35 Xtreme, ALEXA 35 Live and ALEXA 265. The update connects the Focusbug Cine RT rangefinder directly to the...
You shoot something on a modern camera, and it comes back flawless. The scene is sharp from corner to corner, clean in the shadows, with color that holds up under any light. Yet so...
For filmmakers and cinematographers looking to capture a classic widescreen look for their films and projects, this new Remus II 50mm T2.4 Full-Frame 1.5x Anamorphic lens from Blaz...
Atlas Lens Co. has an over-an-hour-long video on the history of anamorphic lenses that is well worth watching. The presentation was given by co-founder Dan Kanes to students at Art...
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