Ancient Optics STATERA 180mm T3.2 1.5x Anamorphic Zoom
Ancient Optics has announced its new STATERA Anamorphic 90-180mm T3.2, 1.5x squeeze, full-frame zoom that features a true front-anamorphic design. Ancient Optics’ new challenge is...
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Ancient Optics has announced its new STATERA Anamorphic 90-180mm T3.2, 1.5x squeeze, full-frame zoom that features a true front-anamorphic design. Ancient Optics’ new challenge is...
Two of the biggest trends in the cinema lens space in recent years have been the significant expansion of new anamorphic optics and the unending love affair with "vintage" renderin...
Atlas Lens Co. has cut the everyday price of its Mercury Series 1.5x full-frame anamorphic primes, with the 36mm, 42mm, 54mm, 72mm, 95mm, and 138mm falling from $7,995 to $4,499 an...
Atlas Lens Co. has posted up a video showing what their Mercury Series 1.5x anamorphics look like when used with the new Sony FX5. The test footage showcases a practical lens test...
Anamorphic lenses produce a look that's immediately recognizable: stretched bokeh, horizontal lens flares, and a cinematic quality that's defined Hollywood films for decades. The q...
Traditionally, shooting with an anamorphic lens has always come with its set of hurdles. While having the cinematic squeeze is nice, battling with the size and weight can be rather...
If you look back even just a few years, the concept of shooting anamorphic was pretty much only available to the highest-end filmmakers and video production crews. You’d have to ha...
I’ve done separate review articles on both the Nikon ZR and the Laowa Sunlight 2x Full Frame Anamorphic Zooms in the past. Today, I thought it might be helpful to talk less specs a...
Looking to boost some of the more popular ARRI ALEXA cameras currently used by high-end cinematographers and working film and video crews?Well, you’re in luck, as there’s a new foc...
The ND9.EU Expanded Matte Box range now features Unified adapter rings and 136mm 4 x 5.65 and 6 x 6 Matte Boxes. The 4 x 4, 4 x 5.65, 6 x 6, and anamorphic matte boxes all share th...
There is a price drop of up to $3,996 USD on Atlas Lens Co. Mercury 1.5x Anamorphic lenses. If you have had your eye on the Mercury anamorphic lenses, then this is a good chance to...
ZEISS has a new video series for its ZEISS Horizon Anamorphic lenses. In these videos, ZEISS Cine Lens Specialist David Warner gives an overview and goes through the different aspe...
Well, that’s certainly a good deal. We were just covering the Atlas Mercury Anamorphic Prime lenses, as they are some great options to consider pairing with the Sony FX5, which we...
The Laowa Aksen 1-5X & 5-10X Ultra Macro Series is a new full-frame Parfocal Zoom Ultra Macro lens series comprising of the Aksen 45mm f/2.8 1–5x Ultra Macro APO and the Aksen...
Well, this is a camera-and-lens combination we’re looking forward to seeing the cinematic results of. Spoilers: it looks awesome. Ever since the Sony FX5 was first officially annou...
CINELUX has recently teased what could be the first focal reducer for the ARRI ALEXA Classic/XT/SXT: the REDUXA A1. While still in a very early prototype stage, the A1 should work...
Chemical Wedding has added a dedicated Vertical Mode to Artemis Director's Viewfinder, bringing its lens, framing and shot-planning tools to vertical production.
ARRI has released the ALEXA 35 Live Xtreme, a broadcast camera that pushes high frame rate output of up to 8x into live productions over traditional SDI, no separate high-speed cam...
Much has been written about The Odyssey ; the first film in history to be shot entirely on the ultra-large-format IMAX system. However, it was only possible after IMAX released a n...
While everyone loves a new ARRI camera announcement, this one is most likely to appeal to those who work in live production workflows. Still, a new ARRI camera is a new ARRI camera...
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