The Best TV of the Year So Far
2026’s highlights include transcendent weirdo comedy, not-so-epic fantasy, and a brutally timely comeback.
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2026’s highlights include transcendent weirdo comedy, not-so-epic fantasy, and a brutally timely comeback.
Honestly, it’s worth the Epix subscription.
The parents of Silicon Valley are inflicting a specific type of torture on their disgruntled children.
Too many current crime stories neglect an important feature of the amateur detective.
Danny’s drag-show meltdown places him among an elite class of the nefarious Bravo Boys Club.
A newsletter overanalyzing season three of Sam Levinson’s HBO fever dream, for subscribers only.
Glatzer lets the series lose its sense of humor and show its weaknesses in the final moments of the season.
Jonathan Glatzer returns with a tech-world satire that speaks to the burning resentment the Palo Alto crowd inspires.
A curated critical checklist of notable Thursday TV.
This week’s episode continues the show’s willingness to get into thorny territory, but the results remain mixed.
Netflix’s senior-community Stranger Things riff grapples with more than just nostalgia and monsters.
For a brief moment, it looks like Hypergnosis’ data operation can be used as a benefit to mankind, until it goes hilariously sideways.
Duncan has a renewed sense of purpose now that he’s been knocked off his Hypergnosis perch.
Next to Gordon Ramsay, it seems clear that Joel McHale has become the go-to guy for FOX. Between starring on Animal Control, hosting this game show and Crime Scene Kitchen, and his...
Baaaaaaaaaa!
It’s the Jaws episode, everybody!
Classes are canceled for Gen V.
The one where Tom gets chased by the Sea Hag.
The tension between Duncan and JoAnne hits a tipping point as they realize they are bound by mutually assured destruction.
Duncan’s public humiliation sends him and JoAnne into scramble mode.
Cue The Drama.
This episode is the best pastiche of the A24 house style for horror I’ve ever seen.
Can new seasons of Euphoria, The Comeback, and Beef bring home the gold?
Images courtesy of FX, HBO, and AMC The release of HBO’s The Sopranos at the tail end of the 1990s changed the television business, as cable networks quickly realized that audienc...
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