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Giannina Arangi-Lombardi never sang at the Met.
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
The artist who I feel should have made it to the Met is Patrizia Ciofi.
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
The one who got away was Anna Caterina Antonacci, a thrilling performer.
Leyla Gencer had a long European career but never sang at the Met.
In the case of Lina Bruna Rasa, the reasons why she never sang at the Met are painfully clear.
From one Mister Snow to another, I salute him.
Yes, the Met had Birgit Nilsson - so they let the volcano that was Gertrude Grob-Prandl's voice slip through their fingers.
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
So much color in this beautifully agile voice.
I decided I’d take ‘never made it to the Met’ as an excuse to submit a post about why French soprano Denise Duval (1921-2015) is special to me.
I like to use this recording to annoy Mariah Carey fans by proving that whistle register doesn't count.
A full century after her heyday, Argentine soprano Hina Spani still moves us thanks to her vivid recordings and the savants who have cherished and shared them.
For vibrato fanciers, of course, discovering Supervia is like hitting the mother lode.
I'm surprised that American soprano Maria Kanyova has never performed at the Met, even though she has loads of high-profile U.S. opera credits.
The fact that Barbara Hannigan has never performed at The Metropolitan Opera is just plain dumb.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
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