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Liz Phair and Sleater-Kinney are co-headlining a tour 30 years in the making: “I want to hear narratives from people our age.”
Liz Phair and Sleater-Kinney emerged from different corners of the '90s underground, making very different kinds of indie rock, with wildly different lyrical perspectives and prior...
The Flannel and the Fury tour nods to “the female-fronted bands who staked their claim to center stage in a male-dominated music industry,” says Phair
“What a thrill to share the stage with one of our biggest inspirations,” Sleater-Kinney say of their tour with Liz Phair. “We can’t wait to tear it up with her.”
Glorious indie vibes from New Yorker on confident debut. The spirit of Liz Phair, Fiona Apple and the late great Jill Sobule emanates from this fantastic first record, and these el...
Former 4 Non Blondes frontwoman and all-powerful pop songwriter Linda Perry goes solo
In another reality, the follow-up to Green Day's pivotal album American Idiot would have been produced by lauded songwriter and 4 Non Blondes vocalist Linda Perry. But in this real...
Linda Perry, former 4 Non Blondes front woman, has released her first solo album in three decades alongside a Tribeca-premiered documentary, both titled "Let It Die Here."
Status Update Music boasts track titles such as “XO Tour Llif3” (no relation to the Lil Uzi Vert song) and “Love.Angel.Music.Baby” (no relation to the Gwen Stefani album)
IN THE 1990s, Melissa Auf der Maur played bass in two of the decade’s most notable rock bands: Hole and Smashing Pumpkins.
For the uninitiated, Jellyfish are eternally early ’90s power pop cult heroes, ignored by radio and mainstream audiences.
“Just Might” is a grooving late-night synth-pop single from Austin-based artist e.lissa faden. Produced by Dossey for her debut EP Daisy Chain, the track blends ’90s trip-hop rhyth...
Rachel Gagliardi used to be a member of the bands Slutever and Upset, and she started Pouty back in 2013 as a duo with Japanese Breakfast’s Michelle Zauner, releasing one song a da...
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