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Erin Morley, Lawrence Brownlee, and Malcolm Martineau put on a jolly good show at the 92nd Street Y.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
Russell Thomas is many singers at once—and he aims to excel at them all. The Miami-born tenor, celebrated for his interpretations of Italian repertoire and, more recently, German w...
American tenor Charles Castronovo performs a bit of Weber's Der Freischütz ahead of the opportunity to hear Berlioz's take on the score at Carnegie Hall next week.
My contribution this month honors the great Sherrill Milnes in his electrifying performance of Iago's credo (1979, Met).
A strong revival of Falstaff at the Los Angeles Opera proves a fitting farewell vehicle for Music Director James Conlon.
Rosa Ponselle is the singer who had it all.
Bass-baritone Le Bu’s recital with Vocal Arts DC highlighted his linguistic and timbral versatility.
I have always loved this recording of Canteloube's Chants d'Auvergne sung by Dawn Upshaw and conducted by Kent Nagano.
I've looked to Sherrill Milnes many a time for insight and guidance whenever I've added a new Verdi role to my repertoire.
What a shaded and elegant delivery William Mattteuzzi brings to this lilting setting of D'Annunzio's "O falce di luna calante"!
Soprano Amanda Forsythe as Ilia and tenor David Portillo in the titular role were highlights of Washington Concert Opera’s robust Idomeneo.
William Parker's career launch coincided with the closet door fully opening for American male classical vocalists; the cruel irony is that Will was also an early AIDS casualty, gon...
Verdi’s Stiffelio goes Amish in Vienna, featuring a stellar Luciano Ganci in the title role.
Wolfgang Holzmair's performance was amazing in its personal and intimate approach.
The mesmerizing run of Trovatore in October 2015 at the Met, a few months after we learned that Hvorostovsky was dying
Parterre Box acknowledges Riccardo Muti's 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
To celebrate the 100th anniversary performances of Turandot at the Met starting next week, Patrick Dillon gives a listen to seven versions of "Signore, ascolta!" for Perspectives o...
Back-to-back casts in the Metropolitan Opera's revivals of Madama Butterfly and La traviata offer ample opportunity for soprano-gazing.
Nothing prepared me for the Soviero experience
Bring on the drama, mama!
Golda Schultz casts darkness in an alluring light in an intimate recital at the New Orleans Opera Festival.
It's not where you start but where you Finnish
My favorite Verdi performance is the iconic 1960 RCA recording of Otello with Jon Vickers in the title role and the Rome Opera Orchestra and Chorus under the baton of the masterly...
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