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You thought we were living in an AI revolution, huh? Well, you’re absolutely right. We are. But, on top of that, we’re also living in a large format filmmaking revolution that’s ar...
Christopher Nolan’s The Odyssey, now in theaters, is the first feature film ever shot entirely with IMAX 15-perf/65mm film cameras, a milestone enabled by a newly developed camera...
Sony appears to supersede the FX3 with a something much closer to its pro cinema cameras
For decades, filmmakers have been asking the wrong question.Is 35mm more cinematic than digital? Is 70mm worth the expense? Should we shoot open gate?For me, these debates all over...
The GFX ETERNA 55 shipped with a side monitor and no viewfinder, which was one of the more obvious gaps for a camera aimed at operators who work with their eye to the glass. That g...
ILLUVISION has recently introduced the MAGNA 65-350mm T3.6, which is essentially a repurposed ARRI/FUJINON Alura 45-250mm T2.6 Studio Zoom with a built-in optical expander that upg...
Sony's new FX5 records 16-bit XOCN raw internally, a codec that until now lived only in the Burano, Venice, and Venice 2. Squeezing that into a compact cinema body reshapes what yo...
A massive price drop across its line of cinema cameras allows Blackmagic Design to, once again, offer excellent value to filmmakers on a budget. [Read More]
Nexus's forthcoming G1 cinema camera gains CINAF, a new and interesting-sounding hybrid autofocus system, and now ships with U-Mount as standard.
Sony has unveiled the FX5, a new full-frame Cinema Line camera that slots in between the FX3 and the FX6 and brings features previously reserved for the VENICE 2 and BURANO into a...
The company is making a play to turn its smaller full-frame cinema camera into something useful for run-and-gun shooting.
Looking to boost some of the more popular ARRI ALEXA cameras currently used by high-end cinematographers and working film and video crews?Well, you’re in luck, as there’s a new foc...
Blackmagic Design has taken more than US $1,200 off every full-frame 6K body it sells, dropping the Cinema Camera 6K to $1,755 and the PYXIS 6K range to $2,245 (including duties an...
Watching The Odyssey in Christopher Nolan's preferred 70mm format is not accessible for everyone -- there are only 41 theaters in the entire world that will show the large-format f...
In just an eight-month period, no fewer than three new medium format panoramic film cameras hit the market. I've used them and am ready to render my verdicts on each, but there can...
Lomography has launched a half-frame version of its Simple Use Reloadable Film Camera in both black & white and color editions.
HD Air Studio, the Lublin-based engineering house behind the Cyclo and Elit stabilized heads, has revealed HALO, a modular three-axis gimbal it describes as a handheld-first system...
Tiffen has introduced the Steadicam Elite, a lightweight sled built around a 30 lb (14 kg) camera payload, a rigid unibody top stage, and a 3-Axis Volt gimbal with pan control fitt...
The Sony FX5 is here. And it’s promising to be the most significant camera the company has delivered in years! Sitting perfectly between the aging FX3A and the FX6, this new camera...
Sony expands its Cinema Camera line with the FX5, introducing a new 16.6-megapixel fully-stacked Exmor RS sensor that’s paired with Sony’s BIONZ XR2 processor with AI processing. B...
Australian camera startup Nexus has released Project Update #11 for its modular Nexus G1 cinema camera, and it packs two major announcements: CINAF, a sensor-fusion autofocus syste...
Sony has announced its new FX5. The FX5 is capable of recording 5K60 Open Gate (3:2) and 5K120 (16:9) internally in X-OCN RAW, and features three base ISO settings, a VENICE-inspir...
Fujifilm has announced the development of the VF-GFXC2, an external electronic viewfinder (EVF) for the Eterna 55 cinema camera. It promises a mix of high resolution, brightness, a...
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