Jerry Saltz’s ’90s Art World
“I saw 25, 30 shows a week, made hundreds of studio visits, and everywhere I went I brought my camera.”
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“I saw 25, 30 shows a week, made hundreds of studio visits, and everywhere I went I brought my camera.”
“I knew nothing about photography, but I ended up making 40,000 goddamn slides.”
The art world is buzzing after the spring auction frenzy. But I only feel grief, like something is dying.
Our correspondent's irresponsibly subjective list of the fair's best art.
The women pop up again and again, in canvas after canvas, like a random intrusive thought that refuses to go away, or a masturbatory fixation that both disturbs and excites.
Before it became an Off Broadway show and now an HBO special, Color Theories began as scribbles in his notebooks.
Also: Joan Semmel’s revolutionary nudes, Aleshea Harris’s film adaptation of “Is God Is,” Rachel Syme on thrift markets galore, and more.
The fact a queer, working-class person of colour has won the Deutsche Börse prize is cheering, but what is on display at the Photographers’ Gallery resembles a student’s Tumblr fee...
Poland’s leading figurative artist de-faces Trump, feminist art rebels squat in East Sussex, and the UK’s street art is captured – all in your weekly dispatchWilhelm Sasnal: family...
Morgan Meis’s Three Paintings Trilogy is the most exciting new writing about the visual arts to appear in a generation.
After making space for herself in art, O'Grady wants to make space for the rest of us.
As the city embarks once again upon its springtime marathon of fairs and marquee auctions, galleries across Chelsea, Tribeca, the Lower East Side and the Upper East Side are mounti...
With a little endurance and the right set of wheels, you can visit Robert Smithson's most consequential work, ski past a Sekine and make it back into downtown in time for dinner.
After the State Department overhauled the process for choosing an artist for the Venice Biennale, it gave control to a woman who previously owned a pet food store.
Also: Jennifer Tilly in the surreal world of “The Adding Machine,” New York City Ballet’s spring season, Anne Hathaway and Michaela Coel in “Mother Mary,” and more.
These fairs, with their smaller scales, make space for emerging artists whose practices move between myth, technology, diaspora, infrastructure and material experimentation.
At both miart and Paris Internationale, next-generation talents pushed painting, sculpture and installation art into unstable yet compelling territory.
Samaras found in the Polaroid a tool for self-transformation that no one has ever quite matched.
Lisa Yuskavage, The Joy of Painting, 2025 "Checklist" is open now at David Zwirner. [ more › ]
As art monsters go, Julian Clark (out gay actor Ian McKellen) is no Picasso. Furious about being canceled, he never specifies what he did. He’s better known for his appearances on...
From John Waters' toast to Deborah Harry's closing set, the evening was as unconventional as the director it honored.
Sadie Coles HQ, LondonFrom holiday snaps to atrocities, Throbbing Gristle album covers to backsides in shorts, the Polish painter reproduces the scattered attention and flattened p...
“If money was no object, which one would you take home?” This question, posed to me at a recent art auction, provoked a persistent thought in my mind about the mechanics of massive...
A great admirer of Matisse and Cézanne, this artist seemed to reinvent both.
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