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My favorite Verdi performance is the iconic 1960 RCA recording of Otello with Jon Vickers in the title role and the Rome Opera Orchestra and Chorus under the baton of the masterly...
Giuseppe Verdi - Celeste Aida, from AidaCarlo Bergonzi (Tenor)New Philharmonia Orchestra (Orchestra)Nello Santi (Conductor)
Here in Chicago, I've had many a shot at listening to Riccardo Muti as a Verdi conductor.
Bring on the drama, mama!
The immortal Renata Tebaldi, just about 29 years old as Saint Joan in a RAI broadcast of Giovanna d'Arco from 1951.
I was a huge fan of Anna Netrebko.
Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
Premiered in 1857, Verdi’s opera Simon Boccanegra, brims... The post Watch: Just another Verdi father-daughter masterpiece appeared first on Slippedisc.
Tito Gobbi's performance of Rigoletto's "Cortigiani, vil razza dannata" offers the most musically and dramatically complete portrait of Verdi's tortured court jester that I have ev...
I've looked to Sherrill Milnes many a time for insight and guidance whenever I've added a new Verdi role to my repertoire.
My contribution this month honors the great Sherrill Milnes in his electrifying performance of Iago's credo (1979, Met).
The Italian composer dedicated this colossal Requiem to Alessandro Manzoni, an author whose work he absolutely adored.
Tebaldi, at La scala, in one of her nights of glory, where the voice poured out effortlessly, singing with utter conviction, and no soprano ever appealed to God more fervently.
Stiffelio has always been the dark horse of early Verdi operas.
I think Patanè did far more than just hold it together: he did full honor to Verdi.
Nadine Sierra's Gilda at the Metropolitan Opera had that rare quality of sounding both immaculate and spontaneous, as if Verdi's lines were being discovered in the moment rather th...
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