Social Media Ideas for Full-Frame Anamorphic

Capture a Classic Widescreen Look With This New Blazar Lens Remus II 1.5x Anamorphic

For filmmakers and cinematographers looking to capture a classic widescreen look for their films and projects, this new Remus II 50mm T2.4 Full-Frame 1.5x Anamorphic lens from Blaz...

SIRUI Announces Saturn V2 Full-Frame Anamorphic Series with 90-Degree Rotation

SIRUI has officially announced the launch of the Saturn V2 Full Frame Anamorphic Lens Series, representing a significant update to its popular Saturn anamorphic system. Aimed at mo...

SIRUI Saturn V2: specs, mounts and pricing

SIRUI has launched the Saturn V2, a full-frame 1.6x anamorphic lens series with a 90-degree rotating mount for switching between horizontal and vertical shooting. Priced from $599.

SIRUI Saturn V2 35mm, 50mm & 75mm T2.9 1.6x Full-Frame Anamorphic Lenses

SIRUI has announced its new Saturn V2 35mm, 50mm & 75mm T2.9 1.6x Full-Frame Anamorphic Lenses that are available in Sony E, Leica L, and Canon RF mounts. The Saturn V2 T2.9 1....

SIRUI Saturn V2: Hands-On at IBC 2026, Switching Horizontal to Vertical on the Fly

SIRUI was showing the new Saturn V2 anamorphic set at IBC 2026, and the headline feature is one you have to see rather than read about: a locking barrel that rotates 90 degrees, sw...

DZOFILM Arcana 1.5X anamorphic lens review: specs & verdict

Kevin Luiz tests DZOFILM's Arcana 1.5X anamorphic primes on a helicopter shoot, finding the cleanest, most affordable full-frame anamorphic set yet, with a few gaps to fill.

Blazar Lens Remus II 1.5x Anamorphic lenses

Blazar Lens has introduced the Remus II series, the next iteration of their full-frame 1.5x anamorphic primes. The lenses feature an all-new oval iris from their Mantis design, and...

Wonderfilm Pictures Launches Four-Way RED KOMODO-X VFX Array for Virtual Production, Capturing a 180°+ Field of View on...

BLAZAR LENS Remus 65mm T2.0 Full-Frame 1.5x Anamorphic Lens (ARRI PL, Silver Flare) on sale for $599 USD

The BLAZAR LENS Remus 65mm T2.0 Full-Frame 1.5x Anamorphic Lens (ARRI PL, Silver Flare)is on sale for $599 USD, which is a big discount of $400 USD. Key features The Remus 65mm T2....

Cooke S4 FF/i Announced – Full-Frame T2.0 Primes, 385mm Average Close Focus, 87mm Front Diameter

Cooke Optics has introduced the S4 FF/i, a full-frame evolution of its S4/i Super 35 primes. The set has six T2.0 lenses from 18mm to 100mm, a common 87mm front diameter and close...

DZOFILM Arles Zoom 25-75mm and 65-180mm T2.6 Announced – Constant Aperture, Parfocal, Under 1.8kg

DZOFILM has added two full-frame cinema zooms to its Arles line: a 25-75mm T2.6 and a 65-180mm T2.6. Both share the front diameter, gear positions, and 16-blade iris of the eleven...

ILLUVISION MAGNA 65-350mm T3.6 – Rehoused ARRI/FUJINON Alura Zoom for Full-Frame Sensors

ILLUVISION has recently introduced the MAGNA 65-350mm T3.6, which is essentially a repurposed ARRI/FUJINON Alura 45-250mm T2.6 Studio Zoom with a built-in optical expander that upg...

Blazar Remus II 50mm T2.4 1.5X Full-Frame Anamorphic Lens Introduced – Improved Sharpness, Oval Iris, and More

Blazar has recently unveiled the second generation of its popular Remus 1.5x full-frame anamorphic series, starting with the Remus II 50mm T2.4. This reengineered version promises...

Sirui’s New $599 Saturn V2 Anamorphic Lenses Rotate for Vertical Video

Sirui has announced the Saturn V2, a new full-frame anamorphic lens series that supports both horizontal and vertical shooting orientations through its rotating design. [Read More]

Cooke Brings Its Legendary S4/i S35 Lenses to Full-Frame Cinema Cameras

Cooke Optics, a legendary name in cinema lenses, has announced the S4 FF/i series of cinema primes. These are "invigorated" new full-frame versions of Cooke's iconic S4/i S35 lense...

SIGMA fp Open-Gate Hack – 3K 3:2 CinemaDNG, 12-Bit RAW, Full Sensor Readout

A community-made firmware mod lets the SIGMA fp record open-gate for the first time, writing 3:2 CinemaDNG RAW at around 3000 x 2000 from the full area of its full-frame sensor. It...

Full Frame Is 24x36mm Because a Leitz Engineer Doubled a Movie Frame in 1913

The short side of a full frame sensor is a silent-movie measurement. Cinema's full aperture ran about 24.89mm across the strip, from one row of perforations to the other, and when...

DZOFILM Arles 25-75mm & 65-180mm T2.6 zooms

DZOFILM has added two full-frame cinema zooms to its Arles line, covering 25mm to 180mm at a constant T2.6 aperture. Preorders are open now, shipping from late September.

Atlas Lens Co. History of Anamorphic Presentation

Atlas Lens Co. has an over-an-hour-long video on the history of anamorphic lenses that is well worth watching. The presentation was given by co-founder Dan Kanes to students at Art...

Your Medium Format Cameras are Getting Another Extremely Wide Fisheye Option

If you’re looking for extremely wide fields of view for your medium format cameras, this new AstrHori MF 8mm F2.4 Circular Fisheye Lens is a great option to consider.Designed to ca...

Full Frame vs. Super 35 and How Sensor Size Changes Your Shot

Few topics start a comment-section fight faster than sensor size. Is your 18mm "really" a 27mm on a crop sensor? Does full frame give you shallower depth of field? Or is that a myt...

Forget 70mm and 35mm. The True Cinematic Format Is 720p iMac

For decades, filmmakers have been asking the wrong question.Is 35mm more cinematic than digital? Is 70mm worth the expense? Should we shoot open gate?For me, these debates all over...

Save up to $260 USD on SIRUI T2.9 Full Frame Anamorphic Lenses

You can save up to $260 USD on SIRUI T2.9 1.6x Full Frame Anamorphic Lenses. You can choose from a wide array of focal lengths and mounts. SIRUI states that because of the low weig...

DZOFilm Arles 25-75mm T2.6 & 65-180mm T2.6 FF Zoom Cine Lenses

DZOFilm has officially announced the Arles 25-75mm T2.6 & 65-180mm T2.6 FF zoom cine lenses. According to DZOFilm, the two new zooms are designed to complement the Arles primes...