‘At Night’ Review: A Feminist Feature Debut Refutes the Idea of Monolithic Womanhood
TIFF: First-time feature filmmaker Beatrice Gibson adapts the poetry of Alice Notley into a spellbinding work of autofiction.
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TIFF: First-time feature filmmaker Beatrice Gibson adapts the poetry of Alice Notley into a spellbinding work of autofiction.
Is the devil a woman? This was a question that often seemed to permeate some of the earliest Western and Egyptian films, reflecting the misogynistic anxieties surrounding a woman...
The period film is the sole female-directed entry in this year’s Venice competition, down from six of 21 films last year. Venice artistic director Alberto Barbera called the figure...
The only film by a solo woman director in this year's Venice competition, it shoulders the burden of representing a feminine point of view, whether it wants to or not.
Over 40% of films in LFF programme are female-made, but only two of 21 gala films are directed by womenFemale film-makers are still being squeezed out of the industry as they progr...
May el-Toukhy says we must end veneration of male directors that causes ‘structural problem’ for womenThe enduring cult of male genius is keeping down female film-makers, one of th...
Venice: One of the few female filmmakers to break out of Bangladesh, Rubaiyat Hossain’s fourth feature resists genre categorizations. But it makes a meal of a creepy urban myth the...
Its self-reflexivity reveals a riveting feminist tome about the winds of cultural change and the difficulty of de-centering yourself from your own story.
Danish filmmaker May el-Toukhy’s post-war drama Woman Unknown won the Golden Lion at the Venice Film Festival on Saturday, with its star Mathilde Arcel also taking best actress ho...
“I’ve never read an article where a female director is promoted as a genius,” said el-Toukhy.
The voice behind the New Zealand-set queer coming of age drama talks about rural queerness and the nostalgic joys of Limewire.
May el-Toukhy is in competition at the Venice Film Festival with post-World War Two psychological thriller Woman Unknown as one of just two female directors in the running for the...
From Pinterest boards to classroom walls, Mary Oliver’s words have become popular in a way that most poets could only dream. People have even gone as far as to call her “Saint Mary...
Gyllenhaal also says “honest” films are “fundamentally, unavoidably political, as well as a lot of other things.”
Congress passed the Epstein Transparency Act in November 2025, yet the Department of Justice is refusing to release all the Epstein files. For those they have released, the DOJ red...
Town Bloody Hall (1979) documents a singular historical moment, a “dialogue on women’s liberation” that took place on April 30, 1971, in New York’s Town Hall. The event was staged...
Women held 17% of key behind-camera roles when the Celluloid Ceiling study began tracking the figure in 1998. Last year, that number stood at 23%. Six points in 27 years. That stat...
The Danish filmmaker, whose post-WWII thriller 'Woman Unknown' premieres in competition Sunday, calls the shortage of women vying for the Golden Lion "a structural problem" that is...
In “Woman Unknown,” May el-Toukhy takes a closer look at women accused of having relationships with German soldiers during World War II. “When we started to build a story about a ‘...
Events in 2026 June Misogyny Matters: Fawcett Conference 2026 Our flagship conference addressed the rise of misogyny and the structural inequalities effecting women across Wor...
NumДѓrul redus al femeilor care concureazДѓ pentru marele premiu al Festivalul de Film de la VeneИ›ia reflectДѓ o problemДѓ structuralДѓ a industriei cinematografice, a declarat du...
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