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My favorite Verdi performance is the iconic 1960 RCA recording of Otello with Jon Vickers in the title role and the Rome Opera Orchestra and Chorus under the baton of the masterly...
Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
I was a huge fan of Anna Netrebko.
Here in Chicago, I've had many a shot at listening to Riccardo Muti as a Verdi conductor.
Bring on the drama, mama!
Tito Gobbi's performance of Rigoletto's "Cortigiani, vil razza dannata" offers the most musically and dramatically complete portrait of Verdi's tortured court jester that I have ev...
My contribution this month honors the great Sherrill Milnes in his electrifying performance of Iago's credo (1979, Met).
Tebaldi, at La scala, in one of her nights of glory, where the voice poured out effortlessly, singing with utter conviction, and no soprano ever appealed to God more fervently.
I've never been shy about my adoration of Anna Moffo.
Nadine Sierra's Gilda at the Metropolitan Opera had that rare quality of sounding both immaculate and spontaneous, as if Verdi's lines were being discovered in the moment rather th...
The immortal Renata Tebaldi, just about 29 years old as Saint Joan in a RAI broadcast of Giovanna d'Arco from 1951.
I've looked to Sherrill Milnes many a time for insight and guidance whenever I've added a new Verdi role to my repertoire.
Stiffelio has always been the dark horse of early Verdi operas.
The mesmerizing run of Trovatore in October 2015 at the Met, a few months after we learned that Hvorostovsky was dying
I have very few opportunities to see real-life opera divas, but when Natalie Dessay chose to debut her first Traviata at Santa Fe, there was no way I was going to miss it.
Premiered in 1857, Verdi’s opera Simon Boccanegra, brims... The post Watch: Just another Verdi father-daughter masterpiece appeared first on Slippedisc.
He has conducted some of my favorite opera recordings.
Giuseppe Verdi - Celeste Aida, from AidaCarlo Bergonzi (Tenor)New Philharmonia Orchestra (Orchestra)Nello Santi (Conductor)
Daniel Barenboim’s Tristan und Isolde is a performance I keep coming back to, again and again.
Verdi’s Stiffelio goes Amish in Vienna, featuring a stellar Luciano Ganci in the title role.
Fausto Cleva, in this glorious Fanciulla from the old Met, demonstrates all the great skills of opera conducting
The Italian composer dedicated this colossal Requiem to Alessandro Manzoni, an author whose work he absolutely adored.
Although Ernest Ansermet is most often associated with orchestral music, his 1964 recording of Debussy’s Pelléas et Mélisande is still my favorite.
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