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My favorite Verdi performance is the iconic 1960 RCA recording of Otello with Jon Vickers in the title role and the Rome Opera Orchestra and Chorus under the baton of the masterly...
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
Like probably all of us, there are so many different things I could have submitted for a favorite Verdi performance.
Before the screams of horror begin, it says 'favorite', not best.
Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
This is one of those rare performances that makes you believe that everything Verdi was greater Way Back When.
I was a huge fan of Anna Netrebko.
Here in Chicago, I've had many a shot at listening to Riccardo Muti as a Verdi conductor.
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
When I was a fledgling opera enthusiast, professors at a small-town Wisconsin college routinely travelled to Chicago for Lyric Opera performances.
Bring on the drama, mama!
I realize Igor Gorin did not sing much Verdi except for a few Papa Germonts, yet this performance of the famous baritone aria from Attila I claim is well-night perfect singing.
Tito Gobbi's performance of Rigoletto's "Cortigiani, vil razza dannata" offers the most musically and dramatically complete portrait of Verdi's tortured court jester that I have ev...
Nothing prepared me for the Soviero experience
The air held a real charge that night in SF's War Memorial Opera House.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
Tebaldi, at La scala, in one of her nights of glory, where the voice poured out effortlessly, singing with utter conviction, and no soprano ever appealed to God more fervently.
My contribution this month honors the great Sherrill Milnes in his electrifying performance of Iago's credo (1979, Met).
Anna Tomowa-Sintow, "Ernani Involami," from the MET Centenial Gala, 1983.
Elisabeth Grümmer was, of course, very good at Wagnerian prayers, but she also shines in this Verdi prayer.
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
I've never been shy about my adoration of Anna Moffo.
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
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