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Read our magazine made in collaboration with London Contemporary Dance School students
Queenstown Dance Awards organiser Sophie Purdon. PHOTO: TIM SWALLOW An Arrowtown-raised former professional dancer is blown away by the interest her second annual Queenstown...
Ballerina Tiler Peck on how Olivia Rodrigo, Rosalía, Adéla, and more are incorporating ballet into their performances.
Fast Fwd, again! uses the summer feel of Tanika’s “Fast FWD,” featuring Kida Kudz, as its starting point — a motivation to create further, taking the choreography Shakeel Kimotho m...
Words by Paula Catalina Riofrio. The doors to the studio had unusual shapes. Wood floors, two pillars holding the space, small white rocks surrounding them. I had stumbled into Tan...
Words by Rachel Elderkin. NEXT Choreography by Siobhan Davies Studios is a six month programme for anyone aged 18-25 with an interest in exploring and experimenting with dance and...
"Dancing with the EYB is an experience that will stay with young dancers forever."
A national youth dance programme is bringing together 16–24-year-olds from across England to perform on major stages The post The national dance company opening doors for young pe...
Sia Stevenson (left) and Isabelle Geary compete in the U12 open song and dance duo at the King’s Birthday Tap Dancing Competitions at Coronation Hall in Mosgiel on Saturday. PHOTO:...
Graham Watts sees two top ballet schools at the Royal Ballet & Opera's Next Generation Festival, dancing as if they were already fully fledged professionals.
Graham Watts sees New Futures from Ballet Nights, featuring 150 dancers from seven leading dance schools, but it needed pruning and better management.
The winners of the 2025 National Dance Awards were announced today, marking the 26th anniversary of the awards (#NDA26).
The feet. Martha Graham did not stick her dancers into dainty ballet slippers. No, her dancers and Graham herself in performance, went barefoot. And the foot was flexed – taut and...
Words by Lizzy Tan. Tiegan Doyle’s Is This Bliss In Is This Bliss, suited figures stand in for an ambiguous, systemic force pressing in from offstage. Rapid hand gestures – alterna...
Molly G takes a dive into the 2025/26 Ballet Season Did you know there’s a ballet “season”? Neither did many of our team until our reviewer Molly G mentioned it. For the football f...
A new history explores how the city’s commingling of popular forms and artistic experimentation shaped dance in the twentieth century.
Every summer, hundreds of Dallas ISD students step into the Summer Dance Intensive to sharpen their technique, explore new styles, and build confidence. For many of the instructors...
Words by Luella Rebbeck. It was one of those bright, sweltering London afternoons where the heat seemed to slow everyone down. My Overground train was delayed, and by the time I be...
This year’s celebration of contemporary dance in the French city is bold, baffling and breathtaking, with some high-voltage performersLaunched in 1981, the pioneering Montpellier D...
Matt Paluch sees four contemporary works performed by Phoenix Dance Theatre, with Pett Clausen Knight’s Small Talk showing substance over style.
Dame Darcey Bussell reflects on the start of her career with Birmingham Royal Ballet, performing Birthday Offering, and its technical demands.
Ann Haskins speaks to Dana Wilson, Megan Lawson and Jillian Meyers, collectively known as The Seaweed Sisters, about WEED OH NO! and their varied careers.
In The Royal Ballet School's 100th graduating class, this year consisting of 30 students, all have secured contracts with companies as they start their professional journeys.
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