The Dancing Body: A Site for Research magazine
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Read our magazine made in collaboration with London Contemporary Dance School students
This year’s celebration of contemporary dance in the French city is bold, baffling and breathtaking, with some high-voltage performersLaunched in 1981, the pioneering Montpellier D...
Words by Rachel Elderkin. NEXT Choreography by Siobhan Davies Studios is a six month programme for anyone aged 18-25 with an interest in exploring and experimenting with dance and...
Fast Fwd, again! uses the summer feel of Tanika’s “Fast FWD,” featuring Kida Kudz, as its starting point — a motivation to create further, taking the choreography Shakeel Kimotho m...
Rooted in release, texture, and groove. The class incorporates a follow along rhythm based warm up, improvisation across the floor, and choreography to end. Bodies of Empowerment...
Words by Qiao Lin Tan. Almost like a lecture demonstration, No.60 is a thesis and it’s structured like one. The piece starts off with a slideshow showing the 59 fundamental poses i...
James Lambert is a 23 year old professional movement artist who is using movement to tell his own story. With a background in Contemporary and Hip Hop styles, James likes to blend...
Matt Paluch sees four contemporary works performed by Phoenix Dance Theatre, with Pett Clausen Knight’s Small Talk showing substance over style.
Matthew Paluch sees Acosta Danza Yunior in four contemporary works but, all in all, it wasn't a very inspiring night.
Der Körper als Ort der Neuerfindung: Germaine Acogny, Pionierin des zeitgenössischen afrikanischen Tanzes, zeigte in Berlin eine Soloperformance. mehr...
Words by Lizzy Tan. Tiegan Doyle’s Is This Bliss In Is This Bliss, suited figures stand in for an ambiguous, systemic force pressing in from offstage. Rapid hand gestures – alterna...
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