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Artistic Director Timour Bourtasenkov blends classical ballet with theatrical storytelling in his first original full-length work for the company. The production features dozens of...
Graham Watts sees Tulsa Ballet’s ‘Made in America’ triple bill at Royal Ballet and Opera – a young, dynamic ensemble, with an overarching sense of theatre.
The 2026-27 21-week Season has 48 ballets, including 24 Works by NYCB Co-Founder George Balanchine and 5 Works by Co-Founding Choreographer Jerome Robbins.
Graham Spicer sees La Scala’s thrilling contemporary programme: Wayne McGregor’s Chroma, Jean-Christophe Maillot’s Dov'è la luna and Ohad Naharin's Minus 16.
Christopher Corwin and Andrew Lokay provide dual perspectives on the National Symphony Orchestra's performances of Puccini's triple-bill.
Kathrina Farrugia-Kriel sees Wayne McGregor: Alchemies with The Royal Ballet – This exhilarating triple bill is the very essence of alchemies of curiosity: absorbing, engaging, dar...
The complete presentation, calendar and production details of the full Royal Ballet 2026-2027 Season.
Graham Watts sees James Pett and Travis Clausen-Knight with Isabelle Evans – a rare opportunity to see them in a full-length show.
Jonathan Gray sees a myriad of fine performances on Mayerling's opening night, but none finer than Matthew Ball in Laura Morera's detailed revival for The Royal Ballet.
Lily Hyde sees William Bracewell's debut in Mayerling – one of The Royal Ballet’s most intelligent dancers, a singular performer who evades comparison.
Graham Watts sees International Draft Works – three distinctly memorable works among a satisfying, broad spectrum of ideas and styles.
On 14 May, after 3 decades and tens of thousands of performances, the Royal Ballet and Opera unveils its new stage curtains as part of a Gala performance.
Jonathan Gray sees Calvin Richardson's debut in Mayerling with The Royal Ballet – Tall, elegantly proportioned, expressive and blessed with great physical strength.
Lily Hyde talks to William Bracewell about preparing to play Prince Rudolf in The Royal Ballet's Mayerling, his acting process, and an unlikely source of inspiration.
Matthew Paluch sees The Great Chevalier, in which the diva-ish Mr Chevalier shares the stage with his company's Executive Director Simone Mousset, in a work often uncomfortably clo...
Sadler’s Wells, LondonTap, waacking, jookin’, footwork and jit are among the traditional, street and club styles that come together as Michelle Dorrance showcases a startling array...
Lily Hyde sees BalleyBoyz’s 'Still Pointless' programme, admiring the company’s ten accomplished dancers, but finds some works… pointless?
The 14 Lausanne 2026 Prize Winners have decided on their placements next season – 1st prize winner William Gyves from the United States joins The Royal Ballet.lausanne
Matthew Paluch sees Thick & Tight, the Manchester Collective, and CHAINES in Papillons – work that speaks but doesn't shout.
La Scala announces its 2026-2027 Ballet Season with nine works, including five premieres and four new productions.
Sir Peter Wright Centenary on 18 June will feature highlights from the director and choreographer’s most beloved works, and a return by Carlos Acosta.
Christopher Windom, a high-class choreographer who has worked with the likes of Academy Award winner Aretha Franklin, is taking his talents to the Tony Award-winning Children’s The...
The Mount Without, Bristol Fame’s Antonia Franceschi delivers a double portrait of Krasner, with music by Claire van Kampen, plus there’s a superb solo from Edward WatsonTwo notabl...
The Royal Ballet is the first British company to perform the work of the contemporary choreographic duo Sol León and Paul Lightfoot.
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