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Four new instalments take Step into “the 48” to 36 of Bach’s 48 Preludes and Fugues. Explore the contrasting worlds of C major, G-sharp minor, D major and C-sharp major, with perfo...
By Robert Fox: I have a sonata for violin and piano in C Major that I wrote last year. I have been writing music for 38 years, but am a sporadic composer, so I have one violin son...
This is the third study from German flutist and composer Caspar Kummer's 32 Etudes amusantes et instructives, Op. 129, first published in 1858.
This gigue is the piece that concludes Bach's Suite No. 1 for Unaccompanied Cello, BWV 1007. The gigue (also called giga or jig, even if these terms are generally only used for its...
This “very fast, sparkling” piece is the twenty-ninth étude from Sigfried Karg-Elert's 30 Caprices: a “Gradus ad Parnassum” of the modern technique for flute solo.
Today we propose the twenty-sixth étude from Sigfried Karg-Elert's 30 Caprices: a “Gradus ad Parnassum” of the modern technique for flute solo. The quintuplets should at first be p...
This piece, to be played “a little bit agitated, but well-phrased”, is the twenty-seventh étude from Sigfried Karg-Elert's 30 Caprices: a “Gradus ad Parnassum” of the modern techni...
This is the fifth study from German flutist and composer Caspar Kummer's 32 Etudes amusantes et instructives, Op. 129, first published in 1858.
This is the fourth study from German flutist and composer Caspar Kummer's 32 Etudes amusantes et instructives, Op. 129, first published in 1858.
This is the second study from German flutist and composer Caspar Kummer's 32 Etudes amusantes et instructives, Op. 129, first published in 1858.
Telemann's first Fantasia for Solo Flute is in the key of A major. Because the piece was designed to be played with no continuo accompaniment, the flute's single line assumes vario...
Today we propose the second movement of a Sonata for flute and basso continuo in D major, penned by Italian Baroque composer Giovanni Platti around 1743. Thanks to Doug for suggest...
The second movement of Handel's Sonata in C major for recorder and continuo is in 3/8 time. With its 132 bars, it is among the longest movements of the Opus 1 sonatas.
This is the very first study from German flutist and composer Caspar Kummer's 32 Etudes amusantes et instructives, Op. 129, first published in 1858.
Today we propose the opening movement of a Sonata for flute and basso continuo in D major, penned by Italian Baroque composer Giovanni Platti around 1743. Thanks to Doug for sugges...
This Vivace in G minor opens the fourth of Belgian Baroque composer Jean-Baptiste Loeillet's second book of Six sonatas of two parts, made on purpose for two German flutes, first p...
This is the opening Allegro of a Sonata in D major written for three German flutes by Johann Scherer, a German composer of the 18th century. Thanks to Joyce Kai for contributing th...
From Bach and Haydn to Chopin, Debussy and Rachmaninoff, discover some of the repertoire likely to feature in Graham Fitch's upcoming performance workshop! The post From Bach to Ra...
The series of Claudio Arrau's recordings of Schumann's piano works reaches its third installment with a fascinating performance of the Symphonic Études coupled with the early Abegg...
This is the central movement of Georg Philipp Telemann's Canonic Sonata No. 2 for two flutes, although it was published as Sonata No. 6 in at least one collection. As with all cano...
A tambourin (literally “small drum” in French) is a piece of music that imitates a drum. French composer Jean-Philippe Rameau wrote many of them as parts of his operas. The most fa...
This is the sixth study from German flutist and composer Caspar Kummer's 32 Etudes amusantes et instructives, Op. 129, first published in 1858.
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