Search fresh public links, source activity, and ready-to-use post angles for Victor De Sabata.
Fresh curated links around Victor de Sabata are collected here so marketers can spot useful updates and turn timely ideas into posts faster.
Recent items include:
Recent curated links from global sources. Generate one free draft from any story, then use SocialBu to schedule and refine your content calendar.
The intensity you see in the photo of Victor de Sabata above is what you hear in his recordings.De Sabata (1892-1967) was a hugely gifted conductor, but circumstances denied him la...
Fausto Cleva, in this glorious Fanciulla from the old Met, demonstrates all the great skills of opera conducting
Fifty some years ago I stumbled on to John Barbirolli's recording of matchless Elgar & V-Williams music for strings and discovered my go-to conductor for life.
Although Ernest Ansermet is most often associated with orchestral music, his 1964 recording of Debussy’s Pelléas et Mélisande is still my favorite.
Based on exactly one recording, Maurice Abravanel is my favorite opera conductor.
Giuseppe Verdi - Celeste Aida, from AidaCarlo Bergonzi (Tenor)New Philharmonia Orchestra (Orchestra)Nello Santi (Conductor)
He has conducted some of my favorite opera recordings.
Giuseppe Verdi - Ella mi fu rapita and Parmi veder le lagrime, from RigolettoGiuseppe Di Stefano (Tenor)Orchestra del Teatro alla Scala (Orchestra)Tullio Serafin (Conductor)
I first experienced the magic of Seiji Ozawa in 1972 when I was 12 years old.
I am once again going to laud the classic Rudolf Kempe commercial recording of Lohengrin (which I have lauded overall) for its conducting.
I think Patanè did far more than just hold it together: he did full honor to Verdi.
Many years ago, when the Met was deciding who the next principal conductor/music director was going to be, it seemed to be a tie between YN-S and Fabio Luisi.
Opera conductors … my favorite subject!
Roger Norrington conducted Rossini's Semiramide in Pesaro '94 and made the Orchestra part of the drama in a way I still have never heard duplicated in a Bel Canto opera.
Wiener Philharmoniker - Orchestra website Conductor: Lorenzo Viotti Suppè: Light Cavalry Overture Arrigo Boito: "Son lo spirito che nega", Arie des Mefistofele aus der Oper „Mef...
Antonio Pappano's versatility in both German and Italian repertoire and beyond is both rare and impressive.
Whether an opera by Puccini, Verdi, Wagner, Strauss, or Berg, Dimitri Mitropoulos brought to the podium a total understanding and love for each score he touched.
Berliner Philharmoniker - Orchestra website Conductor: Kirill Petrenko Leoncavallo: Pagliacci: "Si, può?", Prolog des Tonio; Intermezzo; "Recitar ... Vesti la giubba", Arie des Ca...
Daniel Barenboim’s Tristan und Isolde is a performance I keep coming back to, again and again.
Wiener Philharmoniker - Orchestra website Conductor: Riccardo Muti Verdi: Messa da Requiem Iwona Sobotka (S) Marianne Crebassa (A) Michael Spyres (T) Maharram Huseynov (B) Wiene...
Giacomo Puccini - Love Duet, Act I (excerpt), from La Fanciulla del West Renata Tebaldi (Soprano)Mario del Monaco (Tenor)Orchestra of the Accademia di Santa Cecilia (Orchestra)Fran...
It is no wonder Bernard Herrmann relishes the wistful lyricism in Barber's masterwork, as Herrmann's score for Vertigo is among the most beautiful and haunting of all film scores e...
Orchestra dell’Accademia Nazionale di Santa Cecilia - Orchestra website Conductor: Charles Dutoit Berlioz: La damnation de Faust Marianne Crebassa (MS) Julien Dran (T) John Rely...
Giuseppe Verdi - Parmi veder le lagrime, from RigolettoMario Del Monaco (Tenor)Orchestra of Accademia di Santa Cecilia (Orchestra)Alberto Erede (Conductor)
Use SocialBu to discover ideas, generate post drafts, and schedule them across your social channels.