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My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
My favorite Verdi performance is the iconic 1960 RCA recording of Otello with Jon Vickers in the title role and the Rome Opera Orchestra and Chorus under the baton of the masterly...
Like probably all of us, there are so many different things I could have submitted for a favorite Verdi performance.
Here in Chicago, I've had many a shot at listening to Riccardo Muti as a Verdi conductor.
Bring on the drama, mama!
The air held a real charge that night in SF's War Memorial Opera House.
Elisabeth Grümmer was, of course, very good at Wagnerian prayers, but she also shines in this Verdi prayer.
Tebaldi, at La scala, in one of her nights of glory, where the voice poured out effortlessly, singing with utter conviction, and no soprano ever appealed to God more fervently.
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
I realize Igor Gorin did not sing much Verdi except for a few Papa Germonts, yet this performance of the famous baritone aria from Attila I claim is well-night perfect singing.
Before the screams of horror begin, it says 'favorite', not best.
Anna Tomowa-Sintow, "Ernani Involami," from the MET Centenial Gala, 1983.
When I was a fledgling opera enthusiast, professors at a small-town Wisconsin college routinely travelled to Chicago for Lyric Opera performances.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
The dictionary definition of Kuntenserven.
This is one of those rare performances that makes you believe that everything Verdi was greater Way Back When.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
Tito Gobbi's performance of Rigoletto's "Cortigiani, vil razza dannata" offers the most musically and dramatically complete portrait of Verdi's tortured court jester that I have ev...
I was a huge fan of Anna Netrebko.
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
Stiffelio has always been the dark horse of early Verdi operas.
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
Nothing prepared me for the Soviero experience
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