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In 2022, Robert Winter took us behind the scenes of Framestore’s visual effects work on Moonfall. He later joined the Rebel Moon saga. Today, he returns to discuss his fourth Spide...
25-year veteran of DNEG, MPC, Framestore, and One of Us, whose credits run from 'Batman Begins' to 'Paddington 2,' will work across the French studio's Paris and Montpellier locati...
Sebastien Raets started his career in visual effects in 2009, working for a number of studios including MPC and Rodeo FX. In 2025, he joined Outpost VFX, bringing with him experien...
In 2024, Mark Bakowski took us behind the visual effects of Gladiator II. Today, he returns to discuss ILM’s work on Spider-Man: Brand New Day, with a particular focus on the Hulk....
From the futuristic world of The Creator to a story filled with dinosaurs, Jay Cooper returns to Art of VFX to discuss his latest project, The End of Oak Street. How did you get in...
Explore the visual effects created by beloFX for Mother Mary, where invisible digital enhancements and extensive crowd work contribute to the film’s distinctive visual atmosphere....
Discover the visual effects work of Vancouver-based Roxel Creative on Backrooms in this new breakdown showcasing the creation and extension of the film’s environments. The video re...
Set in the Emmy-winning world of The Boys, Gen V superheroes are still learning to control their powers, and the results can get messy. For VFX Supervisor Karen Heston and VFX Prod...
Jan Maroske has been working in visual effects for more than 20 years. Before joining ILM in 2016, he worked at studios including DNEG and Weta FX. His extensive filmography featur...
Back in 2022, Alexander Seaman shared insights into DNEG’s visual effects work on The Adam Project. He has since worked on Brahmastra Part One: Shiva, Here, and Dutton Ranch. In 20...
In 2025, Jerome Chen took us behind the visual effects of Red One. With Spider-Man: Brand New Day, he returns to the Spider-Man universe for the third time and reveals the many cha...
Discover how Outpost VFX, under the supervision of Mathieu Assemat, shaped some of Foundation Season 3’s some of the most stunning moments — including the vast Mycogen environments...
Step into Outworld! Australian studio Future Associate breaks down its work on Mortal Kombat II, from the Blue Portal post-viz and Kung Lao’s razor hat to Jade’s CG staff, the Red...
The team of Digital Domain delivered 418 final VFX shots for Steven Spielberg’s Disclosure Day, creating spectacular action sequences, fully digital environments, and complex simul...
In 2025, Stuart Bullen spoke with us about RISE’s visual effects work on Daredevil: Born Again. He later went on to work on Mission: Impossible – The Final Reckoning and Jay Kelly....
From digital environments to explosive action! Discover how Union VFX delivered 234 visual effects shots for How To Make A Killing. Explore the studio’s work on mansion extensions,...
In 2025, Henry Badgett took us behind the visual effects created by BlueBolt for Downton Abbey: The Grand Finale. He then moved on to Wuthering Heights. For The Dog Stars, he reuni...
Back in 2018, James E. Price shared with us the visual effects challenges of Downsizing. Since then, his credits have included Aquaman and The Tomorrow War. Today, he takes us behi...
Fire, smoke, embers and rooftop extensions! Discover how Cambridge-based Vine FX created the visual effects for Alice and Steve, combining large-scale FX simulations with creative...
Led by Henry Badgett, the London studio delivered 92 shots for Ridley Scott, building a deserted, overgrown Denver in 3D from more than 180 assets and completing the film's Cessna...
Behind the scenes of the stunning found footage opener, suburban street alleyway, the Vertigo Room and more. The post Brand new ‘Backrooms’ VFX breakdown is out appeared first on b...
The Toronto studio's 81 artists spent eight months on nearly 150 shots for the sci-fi horror series, matching eight-foot practical dolls digitally, giving them broken-button fangs,...
In 2023, Charley Henley took us behind the visual effects of Napoleon. Now, he reunites with legendary director Ridley Scott for a very different kind of project: The Dog Stars. Yo...
Based in Giza, Egypt, Trend VFX delivered a wide range of visual effects for Asad, including historical city extensions, large-scale environments, CG characters, crowd work, digita...
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