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Today we propose the opening movement of a Sonata for flute and basso continuo in D major, penned by Italian Baroque composer Giovanni Platti around 1743. Thanks to Doug for sugges...
Today we propose étude No. 15 from Italian flutist and composer Ernesto Köhler's 25 Romantic Studies, Op. 66. You should give the impression that this piece is played by two flutis...
Today we propose the second movement of a Sonata for flute and basso continuo in D major, penned by Italian Baroque composer Giovanni Platti around 1743. Thanks to Doug for suggest...
Today we present the second study from Italian composer Giuseppe Gariboldi's Etudes mignonnes (Dainty Studies), Op. 131.
Today we present the third study from Italian composer Giuseppe Gariboldi's Etudes mignonnes (Dainty Studies), Op. 131.
Today we present the fourth study from Italian composer Giuseppe Gariboldi's Etudes mignonnes (Dainty Studies), Op. 131.
Today we propose the third movement of a Sonata for flute and basso continuo in D major, penned by Italian Baroque composer Giovanni Platti around 1743. Thanks to Doug for suggesti...
Today we present the fifth study from Italian composer Giuseppe Gariboldi's Etudes mignonnes (Dainty Studies), Op. 131.
This 9/8-time jig is taken from O'Neill's collection The Dance Music of Ireland, published in Chicago in 1907. “Aisy” is just an old form of the word “easy”, still used by a lot of...
Today we propose the twenty-sixth étude from Sigfried Karg-Elert's 30 Caprices: a “Gradus ad Parnassum” of the modern technique for flute solo. The quintuplets should at first be p...
This is the central movement of Georg Philipp Telemann's Canonic Sonata No. 2 for two flutes, although it was published as Sonata No. 6 in at least one collection. As with all cano...
This Vivace in G minor opens the fourth of Belgian Baroque composer Jean-Baptiste Loeillet's second book of Six sonatas of two parts, made on purpose for two German flutes, first p...
This piece, to be played “a little bit agitated, but well-phrased”, is the twenty-seventh étude from Sigfried Karg-Elert's 30 Caprices: a “Gradus ad Parnassum” of the modern techni...
This Adagio is the second movement of a Sonata in D major written for three German flutes by Johann Scherer, a German composer of the 18th century. Thanks to Joyce Kai for contribu...
This is the very first study from Italian composer Giuseppe Gariboldi's Etudes mignonnes (Dainty Studies), Op. 131.
This “very fast, sparkling” piece is the twenty-ninth étude from Sigfried Karg-Elert's 30 Caprices: a “Gradus ad Parnassum” of the modern technique for flute solo.
Nicholas Gay, the musician who records swirly acoustic-electronic music under the name Lockimara, is currently living in New York, pursuing a master's degree in music production, a...
This Allegro in E minor is the third movement of the second Sonata for three flutes by Johann Scherer. Thanks to Joyce Kai for contributing this piece!
This is the second study from German flutist and composer Caspar Kummer's 32 Etudes amusantes et instructives, Op. 129, first published in 1858.
The second movement of Handel's Sonata in C major for recorder and continuo is in 3/8 time. With its 132 bars, it is among the longest movements of the Opus 1 sonatas.
This supple aria starts Handel's Sonata in C major for Recorder and continuo. Despite the movement being a Larghetto in C major, it concludes with a one-bar Adagio in G major. Here...
This is the very first study from German flutist and composer Caspar Kummer's 32 Etudes amusantes et instructives, Op. 129, first published in 1858.
This is the opening Allegro of a Sonata in D major written for three German flutes by Johann Scherer, a German composer of the 18th century. Thanks to Joyce Kai for contributing th...
This is the sixth study from German flutist and composer Caspar Kummer's 32 Etudes amusantes et instructives, Op. 129, first published in 1858.
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