Screenwriting 101: Tim McCanlies
“That second act, for me, is the most fun, because the first and third act have such clearly defined functions. The first act you have to set up the problem or problems, introduc...
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“That second act, for me, is the most fun, because the first and third act have such clearly defined functions. The first act you have to set up the problem or problems, introduc...
How do you attack and structure a story? Do you see the situation first? Do you have an image or set piece in mind? Or do you begin with character?For me, that’s typically the case...
By Corey Rosen There’s a particular kind of draft I see all the time. The writing is strong. The voice is clear. The material is real, sometimes even deeply emotional. And yet, whe...
by James Scott Bell In Super Structure, I explain a beat called “the argument against transformation.” It is the linchpin of the character arc. It pays off the end, when the charac...
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