How ‘Tuner’ Sound Designer Johnnie Burn’s Temporary Deafness Inspired One of the Year’s Most Ambitious Soundscapes
Burn tells IndieWire about finding the sonic reality of hyperacusis and crafting an “adventurous” Dolby Atmos mix for "Tuner."
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Burn tells IndieWire about finding the sonic reality of hyperacusis and crafting an “adventurous” Dolby Atmos mix for "Tuner."
Set design can be such an intricate process, with each production having its own specific goals. Historical pieces typically aim for period-accurate and authentic buildings, while...
Production designer Danny Vermette tells IndieWire about getting a crash course in the University of Backrooms from director Kane Parsons and building four stages' worth of mazelik...
At CASACOR São Paulo, Brazilian architect Clara Nahas of Estúdio Clara Nahas presents the Semibreve Studio, a 55-square-metre installation created in partnership with Todeschini. T...
Director Olivia Wilde and cinematographer Adam Newport-Berra break down how they turned a San Francisco apartment into a dynamic stage for a rollercoaster dinner party.
"RuPaul's Drag Race" production designer Jen Chu joined IndieWire's Craft Roundtables to talk about making the environments for the queens as funny, modern, and entertaining as the...
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The sound and music team behind "The Boys" talks about finding a sonic language that both honors heroism and undercuts it for the irreverent Amazon series.
A new installation at the Village of Industry & Art transforms a historic facade into an open-air speaker
Seven production designers from both scripted and reality TV joined IndieWire to break down the nuances of their craft.
Production designer Jade Healy tells IndieWire about becoming Angela (Olivia Wilde) to craft the apartment for "The Invite."
I need an expert to set up my Behringer X32 rack mixer for live performances. The setup will need to accommodate vocals, musical instruments, and playback devices like laptops or p...
Production designer Jamie Walker McCall talks about the challenges of doubling Atlanta for Savannah and collaborating with the actors to create the vivid settings for Apple's unset...
Production designer Roger Fires shared during IndieWire's Craft Roundtables how he approached a new spin on the show's classic (and beloved) hospital set that felt real, believable...
In this episode of the No Film School Podcast, GG Hawkins speaks with production designer Vivian Gray about building the visual world of Obsession, from Southern Gothic references...
Matt Yocum and the sound team spent more time on the demonic voice than any other element, turning audio into the engine of the show’s supernatural mystery.
From snapping celery to clacking coconut shells, the Melbourne Symphony Orchestra is uncovering the techniques Foley artists use to bring films to life this winter.
Artist Spotlight: Sophie Escavy Lim’s A Symphony of Sound Book Launch: Uncovering the Science of Sound with Illustrator Sophie Escavy Lim Sound fills our lives. We use it to...
Production designer Denise Pizzini reveals how translucent panels, fake snow and practical craftsmanship transformed a soundstage into one of the series’ most striking sets.
Music supervisors Manish Raval, Tom Wolfe, and Jonathan Leahy tell IndieWire about taking a more holistic approach to the music of "Nobody Wants This" Season 2.
"We take your favorite games from TV, but we put our own twist on it." The post Troy Armstrong: Sound Design, The Escape Game, & The Great Big Gameshow (REPOD S11E7) appeared...
Sponsored Post: This article was provided by a commercial partner and reviewed by the FVMusicBlog editorial team before publication to ensure it is relevant to our readers. Sound D...
Kareem Rahma tells IndieWire about shooting in the wilds of NYC, and other stories from the Craft Team.
Task takes place in the unpretentious world of Delco, aka Delaware County, Pennsylvania, the suburbs outside Philadelphia with a mix The post Task Production Designer Keith P. Cunn...
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