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Every so often a record arrives that refuses the tidy grammar of pop songwriting and insists on its own strange logic instead. "My Morbid Reverie" is one of those records — a singl...
Charts these days reward the calculated over the felt, the algorithm-tested chorus over the risky one. Which makes "Bad For My Reputation" such a pleasure to sit with: it sounds li...
Point Pleasant have arrived with a single that refuses to announce itself the way debuts usually do — no fanfare, no calculated hook dropped in the first four bars to catch a scrol...
Horizon Beyond has arrived at "Quiet Kind of Lost" with a rare kind of confidence: the confidence to underplay everything. This is a single that refuses the obvious gesture — no ke...
Debut albums usually arrive apologetic, hedging their bets, unsure whether they're a mission statement or a demo tape with delusions of grandeur. Jeremy, a singer-songwriter workin...
Most records worth caring about announce themselves either with a shrug or a shove. This one lands like a hand on the shoulder, urgent and warm at once, and it does not let go for...
Debut singles arrive most weeks bearing the fingerprints of some marketing meeting, all algorithm-friendly hooks and focus-grouped edges. "Insomniac" carries no such fingerprints....
Palos Hills isn't exactly Laurel Canyon, and Cupp isn't pretending otherwise. What arrives instead, on this new single, is something far more useful to the modern ear: a rain song...
Pop music has always been better at falling in love than at surviving what follows. The charts are crowded with first kisses and last dances, but the long, grey Tuesday afternoon a...
This is the 5th studio LP from Long Beach, California emcee, producer & audio engineer Solo tha Secret. Making his full-length debut Intellectual Property at the beginning of 2...
It took me a few listens to really appreciate just how good The Rock Music’s Not Alone is. The album definitely grew on me, and with each listen I found myself discove...
Rock music has spent decades trying to outrun sincerity, and most of it has been caught. The irony helmets, the smirking self-mythologising and the studio gloss applied like cheap...
There was a time when Bloc Party sounded like nobody else. When Silent Alarm arrived in 2005, its nervy guitars, angular rhythms and restless energy helped define a particular stra...
Stephen Paul writes songs the way a novelist plots a chapter: not with a diary entry but with a scene, a room, a specific slant of light. That's the first thing worth saying about...
On her sophomore album, the Croydon singer-songwriter reevaluates her fragile relationship between alcohol, love and herself The post Rachel Chinouriri – ‘I Think I Spoke Too Soon’...
Milan gave him his hometown accent and London gave him his working hours, and somewhere between the two cities Richard Green has assembled a single that sounds less like a debut st...
Anonymity, in pop music, usually announces itself as costume — a mask worn for mystique, dropped the moment fame demands a face. Alone New Yorker inverts the trick entirely. The an...
There's a particular kind of alchemy that occurs when a musician stops treating a recording as a finished artefact and starts treating it as raw material — a photograph to be devel...
Somewhere between the thrash-scarred rehearsal rooms of Romania and whatever cosmic switchboard governs riffs of genuine consequence, two veterans of that country's rock and metal...
Yes, this is the brand new LP & 5th overall from California City horrorcore duo Madopelli. Consisting of M.A.D & Ant Dog, the pair have also gone on to drop a couple of mix...
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