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Simon Joyner is this week’s guest on our Neil Young podcast, All One Song — but he’s not just that! With his friends the Nervous Stars, he also recorded a new Lagniappe Session for...
Welcome back to All One Song. Today, our guest is Simon Joyner, discussing "After the Gold Rush." The Omaha-based singer-songwriter has a career stretching back to the early 1990s;...
In the lo-fi indie folk tradition, a deeply personal meditation on grief and loss by the Omaha, Nebraska-based singer-songwriter. There is something deeply intriguing about an arti...
Portland and Eugene-based shoegaze band wornoutjoy performs May 28 at John Henry’s, warming up for studio sessions in Portland and their first East Coast tour … Continue reading →
In the spring of 1999, The Sea and Cake's Archer Prewitt spent a few days in a partly dilapidated building and makeshift studio in the Australian coastal town of Gerroa. Equipped w...
Before we explore this particular song, here is a little history lesson, a refresher for some, no doubt, but it all gives context for what is about to transpire. The Civil Wars wer...
‘Sunny, I Was Wrong’ is Joe Pernice’s fourth solo album and features contributions from Aimee Mann, Teenage Fanclub’s Norman Blake, and more
Kevin Morby deftly compares, and rhymes, his touring travels with a hurling javelin on the lead single for his new album Little Wide Open.
Leeds, England-based singer-songwriter Joe Doonan delivers "til we find love". It is a tender indie folk song featuring incredible vocals. The track is dreamy, with a strong use of...
Glen Phillips, lead singer of ’90s alt-leaning folk-pop bandToad the Wet Sprocket, performs a solo benefit concert for Lane Arts council May 13 at Unity … Continue reading →
Pairing Jazz-infused alternative Americana with escapism-laden lyrical imagery, “Please Don’t Make Me Come Back From the Moon” is a moving new track San Francisco-based songwriter...
Jerry Joseph, we are happy to tell you, returns – not that he’s been away exactly, but we have an insatiable appetite for the kind of music that Jerry Joseph makes, and so the news...
One can hardly accuse Joe Pernice of slacking. In the two years since the release of his last album, 2024’s Who Will You Believe?, Pernice has taken to Substack seemingly daily to...
At a rare, reverent performance in Palo Alto, Samara Joy transforms a room of strangers into a quietly unified audience, reminding us of the power of stillness, attention, and trul...
Getting to New York City for a three-hour recording session was a whirlwind of a trip for Eugene-based jazz saxophonist Joe Manis. After a long … Continue reading →
You’re sitting in an intimate concert venue, buzzing with anticipation for the show to start. The lights go down. The crowd silences. And then, the … Continue reading →
... coming from the highly organized LP prior to this point, with its sincere arrangements, sultry takes, and soft edges, “Glistening Glyndebourne” takes moment to reveal its inten...
Jack Cooper’s Modern Nature expanded on the last album, The Heat Warps, to include the U.K. improvisatory guitarist Tara Cunningham. Their dual guitar play was loose and intuitive,...
Kevin Morby’s Little Wide Open trades restless drift for hard-earned steadiness, mapping middle-American domesticity, memory, and partnership into widescreen soft-rock forms that f...
Whenever I hear Neil Young It’s always a country fair after sunset and the lights of rides turning on one-by-one, twinkling in harmony with a watermelon sky spilling sugar- pink...
Here's an ep from Simon Junior with The Melodians.... GET IT HERE Enjoy!
Jerry David DeCicca looks back on the making of Ed Askew’s 2013 late-period masterpiece For the World — a record assembled through borrowed rooms, broke musicians, chance encounter...
And here to talk with us about “Thrasher” is James Jackson Toth, a terrific songwriter whose career matches Neil in terms of eclectic, exploratory and highly personalized vibes....
Indie rock fans may have just acquired a new ballad, because Boston's very own Jonny Tex has opened the floodgates on a new high-concept EP, and it's not to be…
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