Social Media Ideas for Roberta Smith

In Alison Chernick’s ‘House of Criticism,’ Jerry Saltz and Roberta Smith Step Out From Behind Their Bylines

“Every debate I’ve had with Roberta, she’s right,” Saltz told Observer. “I’ve tried to contribute to her work, hundreds of pieces, but I’ve never gotten anything in, because she’s,...

‘House Of Criticism’ Review: Jerry Saltz & Roberta Smith Find Meaning In The Messy Work Of Art Writing [Tribeca]

About a third of the way through Alison Chernick’s wonderful little documentary “House of Criticism,” Jerry Saltz, the current New York Magazine art critic and former Village Voice...

‘House of Criticism’ Review: Jerry Saltz and Roberta Smith Get a Sincerely Sweet and Smart Documentary Love Story

Filmmaker Alison Chernick ('Itzhak') follows the two art critics, married since 1992, from galleries to diners to interactions with famous friends including Cindy Sherman and Lena...

‘House of Criticism’ Review: A Pensive and Touching Portrait of Married Art Critics Jerry Saltz and Roberta Smith (It Is...

The way art connects (and saves) these two on a daily basis is its own idiosyncratic story, and it speaks to a certain vanishing culture of passionate New York literary brainiacs t...

A Major Martin Puryear Retrospective Reveals an Artist Who Has Never Stopped Evolving

No living sculptor navigates material beauty and political weight with quite the same restraint.

“Edmonia Lewis: Said in Stone,” Reviewed: An Overlooked Black Sculptor

She was a Black and Indigenous woman who became famous for working in white marble. But the focus on her race can obscure the subtle, often contradictory triumphs of her art.

Review: “Sable Elyse Smith: Clockwork” at The Contemporary Austin

A sterile quiet first meets the museum-goer as they step into The Contemporary Austin – Jones Center downtown location. The cavernous concrete interior emphasizes this initial expe...

One Fine Show: “Louise Nevelson, Mrs. N’s Palace” at the Centre Pompidou-Metz

The artist was a pioneer of installation art and is best known for assemblages of debris that appear like monochrome artifacts from the future.

At the Guggenheim’s 2026 YCC Party, Artist Diane Severin Nguyen Created Breathing Room

Among the notable faces in the crowd were painter Kylie Manning, famed private chef Keegan McManus, bitforms founder Steve Sacks, actress Lux Pascal, Eden Arts Foundation founder E...

Is the Artist Present?

By transforming her own old paintings into new works of art, Eliza Douglas raises questions about sincerity and cynicism.

Francesca Mollett’s Architecture of Abstraction

In “Buried Shadow” at GRIMM, she transforms memory, matter and perception into tableau vivants in which light, color and form shift under the eye.

Schilder Robert Zandvliet wil géén geëngageerde kunst maken: ‘Je ziet nu overal hetzelfde’

Seeing Red

The art world is buzzing after the spring auction frenzy. But I only feel grief, like something is dying.

50 Years of Groundbreaking Work: Kunstmuseum Basel Puts Helen Frankenthaler Front and Center

It is significant that Kunstmuseum Basel is showing her work now; 2028 will mark the 100th anniversary of Frankenthaler's birth, and there will be major exhibitions at SFMOMA, the...

Review: “Words Matter” at Arthouse, Marble Falls

“I feel real when you hold me” “Protect me from what I want” “the field” “Breath as a Boundary” All these phrases appear in Words Matter, the inaugural exhibition at Arthouse in Ma...

Roberto Lugo On Thinking Larger Than Life in Madison Square Park

A 15-foot hydrant and a 20-foot urn present the ceramicist's most personal stories on a monumental new scale.

Curator Kate Kraczon Arrives at the Montclair Art Museum Ready to Get Radical

With works by Jeffrey Gibson and Wendy Red Star alongside John Singer Sargent and Winslow Homer, the museum's collection has always defied easy categorization

The New, Unsustainable Art World

Readers respond to a guest essay by a former global art director about the struggles that galleries face.

Edmondo and Michele di Robilant Chart a Course for Robilant with Old Masters and New Names

The gallery will balance its Old Master and modern legacy with a contemporary program shaped by Michele.

The Crisis of the Museum Is the Crisis of the White Cube

The white cube created an environment of concentration and contemplation that reinforced the idea of art as an autonomous sphere separated from everyday life, but what was once its...

One Fine Show: “Grandma Moses, A Good Day’s Work” at the Smithsonian American Art Museum

Staged in Washington against the 250th anniversary of the Declaration of Independence, it frames a life spanning Lincoln to Kennedy as a parable of the nation.

In a Market Flooded With Flat Prints and AI Art, Sculptor Natasha Kanevski Bets Big on Handmade Depth With Stunning Ston...

At Robert Wilson’s Watermill Center, NOMAD’s First U.S. Edition Found an Ideal Stage

"Robert Wilson created a place unlike any other, where theater, visual art, architecture, performance and experimentation coexist; that spirit feels remarkably aligned with NOMAD."

Barry X Ball Connects the Secular and Sacred in “The Shape of Time”

This career-spanning exhibition in Venice was inspired by the role religion played in classical art history.