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Fleming's album "Voice of Nature: The Anthropocene" is paired with an original National Geographic film. Read More
Rosa Ponselle is the singer who had it all.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
One-day event presented in association with One Mind explores music’s transformative impact on health and wellness April 15, 2026 (Napa, CA) — Festival Napa Valley, in association...
5x Grammy-winning soprano Renée Fleming and 19x Grammy-winning banjo virtuoso Béla Fleck have unveiled “My Epitaph,” the second single from their forthcoming collaboration album Th...
I was a huge fan of Anna Netrebko.
The Fiddle And The Drum is the new collaborative album from Renée Fleming and Béla Fleck, and My Epitaph is the latest single from it. Originally written and recorded by Appalachia...
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
With youthful abandon, Ms. Feola interprets an old chestnut.
While refined, Lisa della Casa sings "Four Last Songs" deeply alert to the text and with effortless vocalization that sounds fresh and spontaneous.
Tebaldi, at La scala, in one of her nights of glory, where the voice poured out effortlessly, singing with utter conviction, and no soprano ever appealed to God more fervently.
Janet Baker sings Elgar's Sea Pictures with such honesty and clarity and fervor.
I have very few opportunities to see real-life opera divas, but when Natalie Dessay chose to debut her first Traviata at Santa Fe, there was no way I was going to miss it.
Golda Schultz casts darkness in an alluring light in an intimate recital at the New Orleans Opera Festival.
Thanks to Elly Ameling, I made it through college.
Elisabeth Grümmer was, of course, very good at Wagnerian prayers, but she also shines in this Verdi prayer.
Respighi's liriche can be as colorful, poetic, and downright lovely as any selection from other art song traditions. Case in point: Rosa Feola's recording of the first song from Qu...
Anna Tomowa-Sintow, "Ernani Involami," from the MET Centenial Gala, 1983.
This song has always been one of my favorites.
Frida Leider is a major Wagnerian soprano who does not sound like a Wagnerian soprano.
To celebrate the 100th anniversary performances of Turandot at the Met starting next week, Patrick Dillon gives a listen to seven versions of "Signore, ascolta!" for Perspectives o...
Erin Morley, Lawrence Brownlee, and Malcolm Martineau put on a jolly good show at the 92nd Street Y.
I've never been shy about my adoration of Anna Moffo.
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